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51 pages 1 hour read

Adam of the Road

Fiction | Novel | Middle Grade | Published in 1942

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Character Analysis

Adam Quartermayne

Adam is the protagonist of the book, and the story is mostly told through his point of view. He is the only round and dynamic character, developing throughout the story. The novel directly characterizes Adam as well-liked because he is fun-loving, tells fun stories, and sings well. Vining describes him as “tousle-headed and snub-nosed, wide-mouthed and square-jawed,” with “gray eyes [that] were honest and twinkling” (15). Adam’s kindness and generosity are evident in many of his actions: He always saves part of his meal for Nick (18), shares his warhorse with the other boys at Sir Edmund’s estate (73), and uses the last of his money to buy the de Vesey family a meal (231).

As a typical hero and coming-of-age protagonist, Adam is framed as innately good and kind. However, at the start of the book, Adam is also naive. Because he sees the world as good and fair, he is shocked at others’ dishonorable behavior when he encounters injustice. For example, Adam is angry when Daun William is robbed and kidnapped, particularly because the crime is committed by a knight in violation of his honor code: “Robbers. Stopping a good merchant who was going about his business without harming anybody! A knight, who had vowed to be chivalrous and protect the weak! Somebody ought to go after them” (172-73). He presumes someone else will save Daun William and the other men before realizing that he is the only one who escaped, so he must be that “someone” and enlist the bailiff’s aid in the rescue. Similarly, Adam doesn’t like the stories the de Vesey family tells, calling them “short, exaggerated tales mostly making rude jokes”; he prefers the stories Roger told, which “fitted the good in people” (238).

His perseverance and determination to find Nick and Roger show that Adam is brave and strong-willed. Many 11-year-olds would be too afraid to set off on their own against the dangers and precarious circumstances of the road, but Adam confidently travels around England, often alone, to find his dog and his father. Adam’s bravery is evident when he runs from the robbers in the king’s forest (170), boldly approaches the bailiff (182), and rides with the bailiff and his men to find the robbers (183).

Adam changes over the course of the story. He starts as a naive boy but learns to think for himself and test the people in his life to see if they are good and trustworthy. For example, though Adam initially likes Jankin because Jankin was friendly to his dog (91), he quickly recognizes that Jankin is not trustworthy and learns to test what he sees and hears rather than relying on superficial judgments (275). He figures out who he is and what he wants, and he remains focused on his goals of finding Nick and Roger and becoming a minstrel. In the process of learning these things, Adam becomes a man and earns the respect of his father (316).

Roger Quartermayne

Roger is Adam’s father, a well-established minstrel who is in the service of a nobleman at the start of the book. He is a flat character who serves to move the plot forward. He does this by first taking Adam to London and the de Lisle house, thus changing the setting of the story. Second, he is Adam’s inspiration to become a minstrel and teaches him the etiquette of a minstrel. Third, Adam’s losing Roger in the crown in Guildford serves as the inciting incident that sets the rest of the story in motion.

From Adam’s perspective, “Roger Quartermayne was no ordinary minstrel, picking up an uncertain penny telling rough yarns in inn yards and marketplaces […] He was welcome at manor houses and at great feasts in castles, and everywhere people gave him rich gifts” (14). Adam views Roger as a hero and ascribes more prestige and honor to his form of minstrelsy than to the baser stories and songs shared by the de Vesey family. However, Roger is a flawed character who is prone to drinking and gambling, which results in his loss of the family’s warhorse (91-92). Roger loves his son, but he is not affectionate with him. Roger calls Adam “Son” only twice throughout the book, “only when his feelings were deeply stirred” (126).

Jankin

Jankin is the antagonist of the story. The author describes him as “a little, dark-haired man with sharp black eyes and a thin, vivid face” (91). He is a flat character who is defined solely by causing problems for Adam and Roger; as a static character, he remains unchanged throughout the story. He is the foil to Adam in many ways, as he is greedy but Adam is generous, and he is cowardly while Adam is brave.

Jankin antagonizes Adam and Roger in many ways. He is a competing minstrel (91), tempts Roger to gamble when Roger knows he should not (103), and steals Nick from Adam (129). Jankin’s thievery marks Adam’s first experience with injustice and causes the first main conflict of the story. He runs from Adam in Guildford, further highlighting his dishonesty and his cowardice (143). He is revealed as having some degree of humanity at the end of the book when he tells Adam the truth about where to find Nick and reveals, “I was sorry I took him after I heard at the ferry under St. Catherine’s Hill on the way back from the fair how you’d swum the river for him. I didn’t know you set so much store by him” (275). He also tells Adam he can have both Nick and Bayard (275), restoring justice to a degree, but he remains a flat character who exists mostly to move the plot forward.

Perkin

Perkin is Adam’s friend from St. Alban’s School. He is a static character whose main personality trait is his desire to study at Oxford. The author describes him as “a thin, tall, dark-haired boy with a high nose and an intense, brooding look in his brown eyes” (16). He is a good friend to Adam, and leaving him is Adam’s only regret when he departs from St. Alban’s. Perkin enters the story at four important points. He is Adam’s only friend at school, and he takes care of Nick when the dog escapes from Jankin. Perkin also introduces Adam to his family, which leads to Adam’s decision to stay with the family and work until he can buy new clothes and shoes. This family and its community serve a physically and emotionally restorative role for the protagonist, allowing him a respite from his arduous journey. Finally, Perkin is the reason Adam travels to Oxford, where he is unexpectedly reunited with his father.

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