59 pages • 1 hour read
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Many writers have explored the myth and tragedy of the American Dream, none more famously than Arthur Miller in his Pulitzer Prize-winning drama, Death of a Salesman. The myth—that hard work and moral fortitude are the dues for upward mobility—is so ingrained into the national psyche that it has gone largely unquestioned for decades. Only through the work of social critics, activists, and writers such as Miller and Meyer has the myth come under scrutiny. Moreover, rising income inequality and the profit-over-people ethos behind much American capitalism suggest the American Dream is an aspirational slogan with more loopholes than a legal contract. While the dream is still a reality for some, those numbers have been shrinking since the 1980s. In fact, the Economic Policy Institute ranks the United States’ upward mobility as lagging far behind that of other developed countries such as Denmark, Sweden, Norway, and even Germany and France (Gould, Elise. “U.S. lags behind peer countries in mobility.” Economic Policy Institute, 2012). However, it wasn’t always this way. Postwar America was home to a thriving middle-class spurred by, among other factors, robust union membership. The 1980s, however, saw a decline in union membership, triggered by a public perception of unions as corrupt, and, with globalization and expanding markets abroad, corporations began to take advantage of cheaper labor costs in other countries. The results of corporate downsizing are rampant in the landscape of American Rust. Isaac’s travels take him past countless shuttered and crumbling factories, rusting equipment half sunk in the mud. The innards of old steel mills are gutted for parts, and the empty husks of once-productive buildings are now homes to the once-productive workers, now cast aside and forgotten.
The psychological toll of these broken dreams is immeasurable. Henry, once a proud steel worker, now sits in his wheelchair, embittered by a completely preventable accident and sometimes wishing the molten steel had taken his life, thinking his family better off with him gone. Poe, with few skills beyond football, has few options other than stocking merchandise at the local hardware store. Americans raised on the idea of the American Dream hit a hard wall of reality when those dreams fail to materialize; and the dark side of the dream is the implication that those who fail to succeed are solely to blame. Self-blame permeates the psyches of nearly every character. Poe blames himself for his incarceration even though he is innocent. Henry blames himself for Isaac’s unhappiness and wanderlust when it’s the economic decay that’s largely at the heart of it. Grace blames herself for her son’s crimes and for her own economic plight. Acknowledging social contexts is somehow not in the American DNA. For the American Dream to have traction, citizens must have individual agency; this means rejecting others’ help and stigmatizing those who accept aid. Witness the scorn directed at welfare recipients, or even the moral panic among some legislators surrounding Roosevelt’s New Deal. American Rust suggests that as long as Americans like Grace Poe and Henry English continue to see their lives in a vacuum rather than as part of a social fabric, the American Dream will exert its mythical hold on the country’s imagination, only exacerbating class divisions.
In many ways, American Rust is a narrative of memory. The residents of Buell often recall images of a not-so-distant past: streets teeming with workers; the sound of the factory whistle signaling a shift change; the sight of barges carrying American steel to destinations abroad; even the assumption that work in the factory would be generational because it promised a solid, middle-class income. The disparity between the past and present in America’s rust belt is drastic, a living (or dying) testament to change. When that change is for the worse, its victims will invariably cling to the past as the only coping mechanism they know. Poe has no future, only his past as a football star and top dog in the high school hierarchy. Henry cleaves tightly to his memories as a productive member of the working class, able to feed his family and buy the house of his dreams. The house, now in disrepair and cluttered with Isaac’s books and papers, represents not only Henry’s rapid physical decline but the decline of an entire generation of upwardly mobile baby boomers.
Another indicator of change is the sight of nature encroaching on civilization—trees and undergrowth creeping over once solidly industrial land; deer walking openly through the streets of Buell: “The trees and brush, the green was pushing out everywhere, it was an uprising” (105). Meyer’s descriptions of nature reclaiming lost territory evokes a dystopian future of abandoned cities, of humans devolving into preindustrial hunter gatherers. Poe proudly displays a bow on his wall with which he sometimes hunts, a throwback to the days before Colt and Remington made killing remote and clean. In fact, Poe often marvels at this encroaching nature, at the beauty and wonder of it. He would be perfectly happy spending his days wandering through the woods and hills of his family’s 80 acres, living off the land, untroubled by the concerns of the modern world. Perhaps more than any other character, Poe accepts the economic reality of the Mon Valley. If things had been different, he may have ended up working nine-to-five in a steel mill, buying a house, and raising a family, but his heart would always be among the woodlands and open fields of Buell, now returning to their rightful place—a sign that the earth is taking back what humanity has long abused.
Nearly every character in American Rust is haunted to some degree by their past choices: Isaac by his reluctance to leave his father despite Lee’s open invitation to join her in New Haven; Poe by his temper and history of violence; Lee by her choice to take the easy path and embrace a life of financial ease while her brother toils in obscurity; Grace for her acquiescence to her father’s demand that she work in the mill and for her marriage to Virgil; and Harris for his ethical “flexibility.” Humans make choices every day, some with a more permanent imprint on their lives, but the desperation of Buell’s residents make their choices far more difficult to escape. If Lee’s husband, Simon, for example, makes a bad choice—as all humans inevitably do—his wealth and status make recovery much easier. Without hope and resources, what should be an array of choices often narrows down to one, and that singular choice may not be a good one. Poe has the choice to leave the machine shop with Isaac and continue walking to the railyard, but his pride, engendered by so many social factors—his history as a football star, his reputation for not backing down, his thrill-seeking personality, his anger at his father—leave compel him to stay and call Otto and Jesus’s bluff. Grace, arthritic and with no other job options, has only one tool to help her son: her sexuality. A woman of greater financial means could simply hire a good lawyer or, as a preventative measure, seek therapy for her son at the first sign of violent behavior. Grace cannot afford these things, so she uses sex to bribe Harris for an unethical favor. Henry, forced by plant closures to work in a non-union shop, will never recover from that choice. People with higher education make career changes all the time, moving from government to consulting work or from law and civil service to teaching. People like Henry and Grace take only what they can get, and they must live with the consequences of those choices for the rest of their lives. Fortunately, in the end, most of the characters find their way out of the darkness. Grace and Poe move away from the tainted legacy of their pasts, finding a new start in Houston. Isaac overcomes his resentment of Lee and follows her to Connecticut. While the future is uncertain for these characters, and while they have had to endure extraordinary hardships to emerge on the other side, the novel leaves them on a note of hope that perhaps even desperate people with few options can find a better path.
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