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96 pages 3 hours read

Girl in the Blue Coat

Fiction | Novel | YA | Published in 2016

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Chapters 17-20Chapter Summaries & Analyses

Chapter 17 Summary

Hanneke realizes her mistake in assuming Mirjam was running to Amalia. She bikes home, determined to make her way to Amalia, but before she arrives, she sees Ollie standing in the middle of the road, waving his arms. He tells her he has bad news: Mirjam was brought to Hollandsche Schouwburg Theater for deportation.

Chapter 18 Summary

Hanneke resists Ollie’s news, convinced she knows where Mirjam was heading. When she finally accepts that Mirjam may have been captured, she seeks to confirm that the “M. Roodveldt” is in fact Mirjam. Ollie gives her the address of Mina’s hiding place, and she is surprised to see that it is a familiar address.

Chapter 19 Summary

Hanneke arrives at Mrs. de Vries’s to discover it is the hiding place for Mina, as well as the de Vries’s missing neighbors, the Cohens. She realizes that Mrs. de Vries talked disparagingly about her neighbors to obfuscate the fact that she was giving them refuge in an elaborately constructed hidden room. Hanneke asks Mina if she saw Mirjam being brought into the theater, which is across the street. Mina reveals that she took photographs of the group that was brought to the theater. Mrs. de Vries offers to use her contact to have Mina’s rare color film developed.

Chapter 20 Summary

Mina tells Hanneke that she left the camera in the baby carriage at the nursery. They wait for Mrs. de Vries to return, and it grows late—so late that Hanneke cannot head out due to a citywide curfew. Finally, Mrs. de Vries returns with Ollie; both were deterred while avoiding soldiers. Although they don’t have a projector, they are able to look at the slides. In the bottom corner of one slide is a girl in a blue coat; Hanneke is sure it is Mirjam.

Chapters 17-20 Analysis

In these chapters, Hanneke is surprised by the realization that things are not as they seem, highlighting The Necessity and Danger of Keeping Secrets. First, she realizes that she made the wrong assumptions about Mirjam. Next, she realizes she made the wrong assumption about Mrs. de Vries. This points to the complex dynamics of class and ethnicity at play in the novel. The ethnic Dutch and “Aryan-appearing” individuals, such as Hanneke, must pretend to be collaborators if they want to help their Jewish friends and neighbors evade capture. For instance, Mrs. de Vries must mirror her friends’ antisemitic remarks because otherwise, she faces suspicion. While her words earlier in the novel are uncomfortable, they allow her to continue harboring her Jewish neighbors, showing that actions and words can be very different.

Hanneke’s biases come into play when she learns the truth in Chapter 19. Hanneke, from the beginning, presents herself as an unreliable narrator: someone who hides the truth from others and even herself in order to survive. When she learns that Mrs. de Vries is not a Nazi sympathizer but rather a dedicated member of the resistance, she realizes that others, too, must lie to survive and avoid detection. Past rudeness on her and her children’s part is revealed as protectiveness and a cover for her true feelings. This realization helps Hanneke along her journey of Personal Transformation During Wartime. As she realizes that many people, from Ollie’s friends to Mrs. de Vries, are not what they seem, she moves closer to confronting her own defense mechanism of lying as a means of self-punishment. Hanneke’s internal realization also helps move the plot forward in these chapters. As these truths are revealed, Hanneke is convinced that she is closer than ever to finding Mirjam.

Mina’s photographs introduce an important historical reality and symbol of the larger context of World War II into the novel. Photography played a crucial role in World War II as a powerful tool for documentation, propaganda, and communication. Photographs captured the stark realities of the battlefield, the resilience of soldiers, and the impact of the war on civilians, providing an unfiltered glimpse into the war’s human cost. The photographs in Girl in the Blue Coat also highlight the importance of Jewish people documenting their experiences of the Holocaust and other wartime atrocities during this period. Diaries, letters, and photographs offered detailed insights that official records or outsiders’ reports could not access. These primary sources are crucial for understanding the full extent of the genocide and the daily realities faced by Jewish communities under Nazi rule. For survivors and their descendants, documenting their experiences was a way to preserve the memory of those who perished. It ensured that individual stories were not lost to time and that the victims’ personal histories were remembered. All these reasons factor into Mina’s decision to photograph the Nazi occupation. It is one of the novel’s examples of resistance actions that young people can take even though they lack political power and other forms of social agency. The photographs are also central to the novel’s detective plot. They reveal not just a historical truth, but also the girl in the blue coat’s present-day whereabouts. 

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