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The novel’s unnamed protagonist is a young postal worker who lives with his pet cat Cabbage. The events of the novel span the week following his diagnosis with terminal cancer as he comes to terms with his impending death and grapples with Coming to Terms with Death. In addition to being the main character of the novel, the postman is also the first-person narrator, describing the events of the novel in the form of a long letter addressed to his estranged father. This makes the narration achronological, intercut with flashbacks, dreams, and ruminations.
The postman lives a relatively content but lonely life representative of a particular demographic in Japan of isolated young professionals lacking strong community or familial ties. Outside of work, he spends most of his free time playing on his phone rather than connecting with friends or acquaintances. He is estranged from his only living parent, and his only significant romantic relationship ended seven years earlier. The novel traces the postman’s decision to end this self-imposed seclusion as his character develops. Learning the significance of Valuing Objects, Relationships, and the Everyday by losing access to several mundane things through his deal with the Devil, he reinvests in the people he has lost touch with, finds meaning in mementos he has forgotten, and reevaluates aspects of life that he had initially considered unimportant.
The postman is sensitive and emotional—qualities his mother’s letter puts in a positive light and his ex-girlfriend describes as flaws. He remains sentimental about his first love years after their parting, and highly values his childhood friend Tsutaya. Even years later, he remains deeply affected by the death of his mother’s first cat Lettuce, as evidenced by his depth of feeling when retelling the cat’s final moments. His love for Cabbage is evident, especially during their caring and nurturing conversations about the past once Cabbage is able to speak. Despite his lingering fear of death, the postman refuses to make cats disappear, sacrificing his life to preserve the relationships between cats and people the world over. His most significant relationship was with his mother, who had a strong influence on him; in particular, he uses her belief about Juxtaposing Gain and Loss to understand the real impact of his deal with Aloha—securing more days of life means depriving others of necessary or emotionally resonant objects—allowing him to accept his death. By the end of the novel, the postman is about to reconcile with his father, demonstrating the extent of his growth during his introspective journey.
Nicknamed Aloha for his colorful Hawaiian shirts, the Devil is presented as both the literal Christian Satan and as a manifestation of the postman’s deepest regrets over the person he could have been. However, Aloha is not an antagonist; rather, he is an inciting force that pushes the postman to confront his own emotions, values, and mortality. His offer to extend the postman’s life in exchange for making objects disappear allows the author to explore the novel’s themes. In keeping with the ambiguity of the magical realism genre, it is left up to the audience to decide whether Aloha actually exists in the postman’s world; it is possible that this character is a hallucinatory manifestation of the psychological and neurological symptoms of the postman’s brain tumor.
Although Aloha is the postman’s double, his aesthetics and personality are opposite of the postman’s. Aloha is cheerful, enthusiastic, and over-familiar; he is likeable and even charming, which makes him a fitting inverse for the reserved postman. Unlike the postman, whose view of the world is self-focused and narrow, the Devil has an expansive perspective and little personal investment in the minutiae of the postman’s life. He speaks in a jarringly casual way about theological matters, embodying the Charlie Chaplin aphorism that “life is a tragedy when seen in close-up, but a comedy in long-shot” (4, 79), showing little remorse for his part in getting humans exiled from Eden or for the postman’s situation.
At the same time, Aloha does share some of the postman’s characteristics, implying that the postman could also have developed the same affability and ease of manner. Aloha kindly carries the postman home and makes him tea, and there is a guilelessness in his clumsy interactions with the human world, such as dressing in summer garb despite the cold, discovering a love of chocolate, and feeling embarrassed at being caught playing with Cabbage.
He accepts the postman’s eventual refusal of his bargain, even though he hints that it marks his losing a bet to God. Aloha implies that the offered deal is a sort of test for the postman similar to that of the Forbidden Fruit; the idea of a bet between Satan and God also alludes to the biblical Book of Job, in which a devout man is tested by increasingly harsh events to see whether he will maintain his faith.
The postman’s pet cat Cabbage functions as a link between the postman and his mother, who rescued and left the cat in the postman’s care following her death. The postman’s love for Cabbage illustrates the deep bond between mother and son. The postman’s decision to leave Cabbage with his father following his own death is therefore testament to the sincerity of the postman’s renewed love for and desire to reconcile with his father. The postman’s love for Cabbage is also the catalyst that sees him reject the Devil’s offer and accept the inevitability of death.
Cabbage, whom the postman calls a roommate, is an important source of companionship for the isolated man. Prior to Aloha’s interference, Cabbage is a typical cat. However, after Aloha uses magic to grant Cabbage the power of speech, Cabbage transforms into a full-fledged character in his own right. Cabbage speaks in a comical blend of modern idiom and formal old fashioned language, reflecting the postman’s mother’s love of period dramas during the cat’s formative years. The English translation uses archaic sentence structure and word choice to convey this linguistic quirk, which is even more clearly marked in the original Japanese. The cat’s speech patterns are a source of comedy and relief for tension: Cabbage retains the values and priorities of a typical pet—for example, nagging the postman through his morning routine so they can go on a walk— which his formal language makes sound absurd.
The newly sapient Cabbage is unable to remember the postman’s mother or grieve her loss, which the postman compares unfavorably with the actions of the famous dog Hachiko, a proverbial paragon of loyalty and fidelity. In response, the postman takes on a paternal role, teaching Cabbage about the world around him and reminding the cat of their shared family memories. This allows the postman to work through his own grief. Cabbage is a source of comfort for the postman, as a tactile presence, in the happy memories he evokes, and in his echoing of the postman’s mother’s soothing wisdom.
The postman’s unnamed ex-girlfriend is typically referred to as “my first love” or “my ex.” However, as they spend more time together, the postman refers to her as his girlfriend, showing the reigniting of his previous feelings and their blooming closeness. This lack of a name is indicative of the link between her and the postman, who is himself nameless. It is also a testament to the fact that she is entirely defined by her connection with the postman. She has no real identity or characterization outside of their relationship because the novel is written from his limited perspective. The postman’s strong but complicated feelings toward her, not to mention his preoccupation with his own conflicts and mortality, color the presentation of her character throughout the novel.
She is in a similar demographic to the postman: a young, single college graduate who lives alone and away from her family. However, the fact that she remained close with the postman’s mother so long after their relationship ended hints that she is more willing to retain relationships than the postman. She lives above the movie theater where she works, and, like the postman, is passionate about movies. An interesting quirk is that she has never owned a mobile phone, and was only persuaded to own a landline by the postman after six months of dating. No reason or justification is given in the novel for this isolating but potentially liberating lifestyle choice, making it open to interpretation.
The ex-girlfriend is forthright and clear-eyed about herself and her life: She remembers facts about the postman long after their relationship ended, and she is honest to the point of harshness when she believes the situation calls for it. She is empathetic and caring too, as shown in her care for Cabbage during the funeral of the postman’s mother, and her keeping of his mother’s final letter. Like the postman, she was deeply affected by the death of their friend Tom in Buenos Aires, and equally incapable of sharing the emotional burden.
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