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57 pages 1 hour read

Making Bombs for Hitler

Fiction | Novel | Middle Grade | Published in 2012

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Themes

A Candle in the Dark: Acts of Humanity Amidst the Inhumanity of War

Union general William T. Sherman said that “War is cruelty, and you cannot refine it,” and more pointedly, “War is hell.” War affects noncombatants, such as families and children—as profoundly as it impacts soldiers. As a person enslaved by the Nazis, Lida endures mental, physical, and emotional cruelty. The Nazis’ callous inhumanity towards Eastern Workers, Jewish people, and other cultures is rooted in the Nazis’ systemic racism and discrimination. Even amidst the horrors Lida experiences, however, there are glimmers of compassion and kindness that help the prisoners survive. Skrypuch calls attention to the atrocities of war so that they will be remembered and never repeated, and she shines a light on acts of goodness that counter evil and reaffirm faith in humanity.

The Nazis reject Lida’s Ukrainian heritage and label her Russian, which the Nazis believe is the lowest, most expendable class of workers. Although Lida knows “[a]ll humans are equal” (39), she is treated with contempt and disdain. The Nazis emphasize Lida’s inferiority—and that of other races—to reinforce their own superiority and justify the war. The workers are treated with prejudicial suspicion: Juli voices the stereotype that “All Russians are thieves,” and Inge believes Lida’s dirty laundry should not even mix with the German wash.

Lida recognizes that the Nazis judge the enslaved laborers as easily replaceable pieces of machinery. This attitude pressures Lida to prove herself useful; she fears that the Nazis will find her useless. Already viewed as disposable, she and the other workers must demonstrate practical value for their oppressors or be “thrown out” (92), the way Officer Schmidt callously poisons the OST workers. Similarly, the cruelty of the Soviets is also motivated by prejudiced judgment: They persecute Ukrainians before and after the war. German civilians are equally guilty of prejudice and discrimination. They pay the government for the use of enslaved laborers and look indifferently at the truckloads of emaciated, suffering workers. The citizens’ silence and tacit acceptance make them complicit in the persecution of the enslaved laborers.

The Nazis inhumanely strip the enslaved laborers of their identity and make it easy to view them as nonpersons. Lida and others suffer mental abuse from the Nazis. They are called “swine” and treated like work animals rather than people: stripped, herded into a chemical shower, shorn, deloused, and given dirty straw mattresses. The Nazis humiliate the enslaved laborers, take away their human dignity, destroy self-worth, and induce feelings of hopelessness.

Lida is also physically abused. She is beaten, whipped, and starved. She witnesses the Nazis perpetrate acts of violence. Luka is beaten, and Marika and the toothless woman are “gotten rid of.” Physical abuse reinforces the Nazi hierarchy: The Nazis are dominant and in control, while the enslaved laborers are weak and helpless.

The emotional abuse perpetrated by the Nazis is also devastating, striking at Lida and the other prisoners’ core values: family and culture. The Nazis shatter families, murdering those who are “useless” or a threat and stealing then abandoning children. They desecrate churches and synagogues, looting objects with cultural and spiritual significance. They steal and appropriate others’ possessions, wiping away signs of previous ownership in an act of entitlement.

All the cruelty Lida endures strips her of her innocence but not her humanity. Lida experiences acts of kindness and care that fuel her determination and hope. The girls in Barracks 7 display solidarity. Several German families treat their weekend camp workers with kindness. Lida sacrifices to help her friends and takes joy in the process. She and her fellow bomb-makers are empowered by their act of resistance.

Lida understands that acts of humanity, like love and compassion, are nonjudgmental and reflect equality. Lida sees this evidenced in the American soldier who helps her out of the ammunition factory. The soldier does not discriminate, devalue, or humiliate her; he treats her with kindness, as an equal. Lida embodies the virtue of humanity and its ethos of altruism. Lida retracts her critical judgment of Larissa and realizes that even “those young boys dressed up as soldiers” (171), the Hitler Youth, were pawns in the Nazi war machine. Similarly, Lida’s hatred of the German housewife vanishes when she recognizes their common humanity and loss.

Following the war, the refugees focus on restoring humanity to the war-torn world by reestablishing their families and reaffirming their cultures. In acts small and large—from the Czech woman who adopts the abandoned German child to the Ukrainian Catholic priest building a church from the rubble—Skrypuch shows that love, compassion, and kindness triumph over even the darkest of evils.

Personal Courage: Holding onto Hope and Dreams

At eight years old, Lida has already experienced tragedy and loss, but it is her separation from Larissa that catalyzes an inner strength beyond her years. Though small and comparatively powerless, Lida demonstrates many forms of individual courage. Lida uses her strengths to both help others and to persevere in realizing her own hopes and dreams.

One of Lida’s greatest assets is her mental courage. Lida’s unwavering determination to reunite with Larissa sustains her throughout her imprisonment, until the last days in the ammunition factory prison. Even then, physically near death, her thoughts are still of Larissa. She mentally forces herself to “will away” the horrific conditions around her. Lida’s self-talk shows her mental power and resolution. She comments, “I could not let myself get sad or overwhelmed. I had to stay strong” (20). Lida knows that the power of the mind is formidable. Insisting that Juli tell her what happens in the hospital, Lida says that “not knowing was worse than the most horrible reality” (70). Lida’s desire for knowledge, no matter how brutal, reflects her own mental resiliency.

Lida also exhibits emotional courage. Lida maintains hope in the face of despair, frequently mentioning that her hopes and dreams of finding Larissa and going home are the only things that keep her going. Although she has moments of despondency, Lida refuses to let it overwhelm her and undermine her goal. She encourages Zenia and others that “there is always hope” (47), and Luka reminds her of the same, telling her, “Don’t ever give up hope” (198). Lida’s relationships with others also keep her hopes up. She finds happiness in the fact that Luka is safe after the bombing, and it gives Lida pleasure to give Zenia her crucifix. Lida notes, “the joy of seeing Luka and being able to help Zenia made the difference between hope and despair” (110). Lida’s friendships offer emotional support and bolster her hopes.

Lida believes in the equality of others and in doing the right thing. These beliefs are the impetus behind her acts of moral and social courage. Lida refuses Inge’s sandwich and the offer of socks in a powerful act of self-sacrifice. While she would treasure those gifts, Lida instead places the feelings of others above her own desires. Lida conscientiously takes personal responsibility for her sister and feels an extended responsibility towards others, even those she has never met. She attempts to protect Marika and feels guilty for the harm her bomb-making will cause. Lida’s strong ethics guide her actions.

Lida is a positive example for the other girls in Barracks 7. Like the seams she sews, Lida unites the others in the cattle car with her inspirational singing, and she rallies the terrified girls on their first night in camp, showing her social courage. Lida’s selflessness and empathy are equally as courageous. She takes joy in sharing the flannel shirt with the other girls. The blue scraps of fabric become badges of unity and equity and a symbol of Lida’s compassion. Although her captivity has robbed her of her innocence, Lida stays true to her herself in the face of adversity.

Sabotaging bombs illustrates both Lida’s physical bravery and her spiritual courage. Lida acts boldly, risking bodily harm and death, to rebel against the Nazis and to fight against the powerlessness that leads to hopelessness. The act of resistance is empowering. Despite the Nazis’ efforts to dehumanize and weaken the enslaved laborers, Lida and others endure pain and humiliation with dignity and faith. Lida prays constantly for the safety of her friends and Larissa, for the souls of her parents, and for her own life. She is secure enough in her faith to willingly give her treasured crucifix to Zenia. Lida never loses faith and lives according to her purpose of finding Larissa and maintaining her own humanity.

Lida is not the only brave character in the novel. Skrypuch illuminates the everyday courage each enslaved laborer must summon merely to stay alive under barbarous conditions. The novel is filled with small acts of courage and heroism: The Sunday camp concerts are acts of hope and self-expression. Workers risk being shot to smuggle food back to their friends. Luka endures a beating to warn Lida about the hospital, and Juli sacrifices her life so others can escape. Refugees courageously sacrifice and search for loved ones. All those who struggle to stay alive and who maintain hope amidst despair show powerful acts of courage.

Family and Friends of the Heart: The Sustaining Power of Relationships

Two vital factors help Lida and other enslaved laborers maintain the will to survive in the work camps: absent family and present friends. Family strengthens the spirit with memories and hope for the future, and friends offer everyday encouragement and support. Skrypuch emphasizes the importance of friends and family for the mental and emotional health of the characters and as fundamental relationships that reflect community, connection, and acceptance; this of course contrasts the division and hatred perpetrated by the Nazis.

Although Lida is orphaned and separated from her sister, from the very start of her imprisonment, she finds “sisters and brothers of the heart” (13). The prisoners form supportive relationships. The children in the cattle car, the girls in Barracks 7, and even the weakened crew in the ammunition factory bond over their shared losses and their struggle to survive. The Nazis’ attempt to demoralize and drive people apart has the opposite effect of bringing them closer together.

Zenia voices their connection to one another, saying, “Who else will help us if we don’t help each other?” (28). Their friendship transcends cultural divisions constructed by the Nazis: Lida helps protect Zenia’s secret, Juli apologizes for being mean to Lida about her Ukrainian heritage, and Natalia feels guilty eating heartier soup than the others because she is Polish.

The enslaved laborers share chores and trust each other with family histories and hopes, even helping others at personal risk. Juli becomes like a sister to Lida, and Lida considers Luka a brother. She feels a deep connection to him, including Luka in her future with Larissa. Lida’s attachment to her friends lasts beyond their time as prisoners: She stays in touch with both Zenia and Natalia after they immigrate. Friendships of the heart, so deep they are essentially family, help Lida and the other enslaved laborers emotionally survive the daily degradation of captivity.

Family is the prime motivational influence for the enslaved laborers. Everyone, save Zenia who has no surviving family, is driven to survive to reunite with their family. Luka is desperate to find his parents. Natalia searches refugee camps for her parents and siblings. Lida is driven by her love and sense of family responsibility to find Larissa. Lida believes that the spirits of her family embodied in the crucifix guide and protect her. Memories of Larissa, the lilac tree, and happy times when her parents were still alive help Lida transcend immediate hardships and fuel her resolve. Family represents love, safety, and home.

Lida feels incomplete without her sister, as if half of her were gone. She observes, “We were sisters, after all. We shared the same family, childhood—even thoughts” (199-200). The bond of blood between her and Larissa connects them despite their separation. Lida knows, “No place could be home without my sister” (204). Without family, a place is not a home; with family, anywhere can be home. Family also influences Lida’s self-definition: Her memories and cultural heritage are tied to family.

Lida’s personal quest to find Larissa lets her empathize with the similar journeys of others. Lida is sensitive to family losses, even those of the enemy. Reading the myriad messages on the walls of refugee camps, Lida’s “heart ached as [she] read the details of so many lost loved ones” (191). She restores the message that Luka angrily crumpled because she understands that everyone’s family matters. The drive to reunify one’s family is a step towards healing the wounds of war. Loving family bonds and close friendships reaffirm the good in humanity.

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