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54 pages 1 hour read

Mr Loverman

Fiction | Novel | Adult | Published in 2013

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Chapters 7-9Chapter Summaries & Analyses

Chapter 7 Summary: “The Art of Metamorphosis (Friday, May 7, 2010)”

Barry is walking to meet Morris for lunch when the sight of the local mini-mart triggers a traumatic memory. In the 1970s, Barry witnessed a crash right across the road from the mini-mart. He rushed to help the person in the car, but when he peered into the window, he saw that the driver had been shot in the head. He recognized the man as Delroy Simmons, a Jamaican electrician whom he employed on occasion. Delroy’s wife had caught him cheating on her with another man, and his wife’s brother, a gangster, shot Delroy.

Barry also walks past his first three rental properties. He recalls seeing them for the first time on a walk with Morris and recognizing “slummified Victorian houses” with “[v]andalized windows, wrecked roofs, gardens being reclaimed by the forests of Ye Olde England” (119). Barry vowed to Morris that he would buy the houses so that he could make a sizeable profit when the area became gentrified. When Barry approached banks with his business proposals, they all rejected him. He resorted to borrowing money from Carmel’s father at a steep 20% interest rate.

Looking at young people as he walks, Barry wonders how many of them live secret lives like his. He wonders if they also visit Abney Park Cemetery as he did in his youth. The cemetery was unkempt and overgrown, which made it a perfect spot for secret affairs. At this location, Barry once got beaten up for having sex with another man. When Barry returned home seriously injured, he told Carmel that he’d been mugged.

Barry continues to reflect on the past, remembering how his daughter Donna went through many phases during her rebellious teenage years. He recalls her dreadlocking her hair when she was dating a white Rastafarian boy called Shumba. Shumba’s father was a lord with a large estate, but Shumba insisted that he did not benefit from the wealth and refused to take money from his father. He spoke to Barry with an exaggerated patois intonation that Barry himself could barely recognize.

After Donna’s breakup with Shumba and even more heartbreak with other boys, Donna committed herself to feminism. Barry went to a course on feminism to understand his daughter but ended up in a heated debate with the lecturer. Eventually, Barry noticed that Donna was having a romantic relationship with another woman, whom she did not introduce to her parents. Barry found them outside one evening after returning home late from drinking. The woman’s name was Merle, and despite Donna’s reservations, Merle introduced herself to Barry as a proud lesbian. Merle was also Caribbean, from the island of Montserrat. To Merle’s surprise, Barry was immediately accepting but told her that Carmel would likely disapprove.

Barry wished he could tell Merle how brave she was and confide in her about his own orientation. He started to give Merle and Donna a speech in which he planned to open up about his secret life, but Donna interrupted him and accused him of being “patronizing” and a “patriarch.” Donna and Merle stopped dating soon afterward, and Donna never dated another woman again. Years later, Barry found Merle unhoused and begging on the street. He secretly put her up in one of his apartments, stocking the fridge and giving her cash. He also funded her studies, helping her for over a decade until she became a lecturer and found her wife. Merle always asks Barry about Morris, insinuating that she knows of their relationship.

When Barry arrives at the restaurant, Morris seems tense. Barry starts to share some of his recollections of radicals and revolutionaries. Morris defends them, telling Barry that he should be glad that gay liberationists stood up for their rights. Barry complains that the liberationists should be more discreet. Finally, Morris reveals why he asked Barry to come to lunch. He insists that they take a step beyond moving in together: He is ready to enter a civil partnership. This request overwhelms Barry, and he jokes that Morris must have dementia. Morris leaves outraged. Barry returns home, drunk and alone.

Chapter 8 Summary: “Song of Prayer (1980)”

Carmel is alone late at night, praying by herself and waiting for Barry to come home. Carmel nearly stopped believing in God during her postnatal depression. Although her condition was very bad, Barry only agreed to let her see the doctor after she had already improved, fearing a racist medical system would hasten to admit her. She and Barry disagree about what cured her depression. Whereas she believes it was God, Barry insists that it was the Valium that a doctor finally prescribed.

Unlike Barry, Carmel commits herself to finishing a degree (in business administration) and lands a job as a housing assistant for the Hackney Council. She flourishes at work, making new friends whom she even enjoys the occasional drink with. She proudly shows off a photo of Barry on her desk, as she believes he’s still very attractive. However, the photo reminds her that he has never told her that he loves her.

For Carmel, the church affirms that she is righteous and that her husband is in the wrong for his suspected sins. When Pastor George states that “and as for the homos, they goin’ end up raped by Lucifer himself, and they won’t get no kicks from it either, because his scorching hot rod’s so big it will go in one end and come out the other” (154), Carmel “hollers” in agreement.

Pastor George has warned Carmel that she will get cancer if she is not thankful. While praying, she therefore thinks of everything she is thankful for. She thanks God for her daughters, her degree, her job, and her large house. She recognizes that she has many things that other people can only wish for. However, when she tries to be thankful for her husband, she becomes fixated on the adultery she suspects him of. She becomes so furious that she ends up praying for his death. Ultimately, she realizes that Jesus’s teachings are of love and that she should not let her husband lead her astray from that. She also feels that her feelings are somewhat justified: “[I]t’s not that you don’t love your husband / it’s just that at the age of thirty-six you been waiting twenty years for him to love you” (102).

Chapter 9 Summary: “The Art of Being a Man (Saturday, May 8, 2010)”

Carmel calls to tell Barry that her father has died. Although Barry disliked his father-in-law, he still feels sorry for Carmel’s loss. Barry upsets Carmel when he says he has no interest in returning to Antigua to attend the funeral.

The thought of Carmel’s loss triggers Barry’s own grief, as the death reminds him of his father, who died right before he turned 16. They had a troubled relationship at the time of his death, as Barry had grown tired of his father’s expectations and demands. Barry reflects, “I didn’t understand then that when your people come from nothing, each subsequent generation is supposed to supersede the achievements of its parents” (111). He also remembers his mother’s death. In 1968, they discovered that she had cancer in most of her organs, but she only had access to traditional medicines. Barry tried to take a boat to Antigua to see his mother, but the boat was late and the trip took two weeks, so he could not properly say goodbye to her.

The last funeral Barry attended was Larry’s, his older brother’s. He reminisces on their time together and cherishes the fact that Larry kept his relationship with Morris a secret. When Barry was 17, Larry walked in on Barry and Morris having sex. As soon as he saw them, he shut the door and left. He was away for hours, and Barry was anticipating his own murder, as that was often the fate of gay men in Antigua. Larry, however, came home drunk and simply told Barry he must be more careful. At Larry’s funeral, Barry dropped to his knees and wept. He felt it was the first time he properly mourned his three closest family members.

In the present, Donna calls to berate her father for not attending the funeral. She’s about to leave for Antigua and asks Barry to look after Daniel while she is away, as he is preparing for exams. She tells Barry he is not to introduce her son to alcohol. Barry, however, puts rum at the top of his shopping list, reasoning that his grandson should experience more of his cultural roots.

As soon as Daniel arrives, Barry offers him a drink, even though it is only 11:30 a.m. Daniel eventually accepts, and Barry asks him what Donna says about him behind his back. To Barry’s surprise, Daniel has very little sympathy for his mother, and even calls her a “bitch.” Daniel reveals that he has been speaking to his estranged father, Frankie, over Facebook for the last four years; he believes Donna ruined their relationship. Barry remembers that Frankie refused to be present for Daniel’s birth, cheated on Donna, and physically assaulted her before the relationship ended. After Frankie abused Donna, Barry and Morris secretly visited him at night and assaulted him, after which Frankie left Donna.

Daniel further reveals that his mother drinks too much alcohol and cries for hours about how lonely she is. Barry sadly thinks about how everyone in his family is lonely. Daniel asks about Morris’s whereabouts and reveals that Donna often jokes that it’s Barry and Morris who should’ve gotten married. Barry wishes, in that moment, that he could tell his grandson about their long-lasting love affair, but he opts out again.

Chapters 7-9 Analysis

Chapter 7 sees Barry reflecting on his experience of the secret and shifting identities of people in London. His memories center around the violent realities of being queer in the supposedly progressive city—in particular, the traumatic experience of seeing a Jamaican immigrant, Delroy Simmons, with a bullet wound in his head because of his orientation. This event reiterates that being gay can be fatal, even in London. Nor is Barry’s experience of Anti-Gay Bias, Violence, and the Fear of Coming Out confined to the Caribbean British community. Barry’s recollection of getting beaten up by men out for “blood sports” suggests that Londoners of all kinds can be violent toward gay men.

Anti-gay bias is further explored in Barry’s memories of Donna’s rebellious teenage years. Hurt by boys too many times, Donna decides to date a brave, openly gay Caribbean girl: Merle. Merle’s family kicked her out of the house when she came out, demonstrating that anti-gay bias affects queer women as well as queer men. This makes it all the more ironic that when Barry openly accepts Merle and commends her for her bravery, Donna becomes upset and never pursues another woman again. The implication is that Donna was dating Merle largely to upset her conservative parents (and perhaps as an expression of feminist beliefs); she loses interest once Barry’s acceptance becomes clear. This explains why Donna would consider Daniel’s orientation a “phase” if he came out as gay to her. She does not realize that being gay is not a choice for people like Merle, who must endure the violence and alienation that their identities make them subject to.

Barry of course has firsthand reason to recognize this and supports Merle by funding her housing, groceries, and studies. Merle wordlessly understands that he does this because he is also gay. In this way, Merle finds support in the LGBT community after the Caribbean community has failed her, developing the theme of The Importance of Community to Marginalized People.

Despite his compassion for Merle, however, Barry is subject to internalized anti-gay bias. Barry criticizes the gay activists Morris praises for fighting for their own rights, saying that they should be more discreet. Barry even tells Morris, “I ain’t no homosexual, I am a…Barrysexual!” (142), distancing himself from shared gay identity. However, given that the narration has established Barry’s fears regarding coming out, it’s clear that he wishes he had the strength to come out despite the dangers.

Chapter 8 further elaborates on the prejudice that openly gay people can face through its depiction of Carmel’s church’s hateful rhetoric. Pastor George preaches that gay men will “end up raped by Lucifer himself” (154), effectively advocating violence against LGBT people. This hateful rhetoric is in line with Carmel and her friends’ earlier gossiping; their belief that God should punish gay people presumably stems partly from their pastor’s influence. However, Carmel agrees with the pastor when he preaches these words, showing that they also reflect her preexisting ideology. Once again, however, the novel refuses to villainize Carmel, further expanding on her experience of Deception, Desire, and the Repression of Emotional Truths. The picture of Barry on her desk at work only reminds her of his neglect in their marriage. Her loneliness is so intense that she prays for Barry to be damned for his neglect.

Chapter 9 also explores repression, in this case of grief. Barry did not properly grieve his father or mother when they passed away. When his brother passed, he therefore broke down and wept for his entire family, never having processed those feelings of sadness. The loss of Larry also entails a further layer of grief: Barry recalls that his brother kept the secret of Barry’s orientation safe, but the two of them never discussed it, pretending as if Larry never knew. Larry’s death thus marks a lost opportunity for Barry to share all of himself with someone who likely would have supported him. These missed connections, the novel suggests, are part of the cost of repression.

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