54 pages • 1 hour read
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In each chapter, Slater dispels long-held beliefs—a kind of mythology— that skew the way we interpret psychological experiments. Opening Skinner’s Box is partly a response to the premise that, in American culture, science is held in the highest esteem. We treat our scientists and scientific studies as hugely important. As such, our scientists take on a kind of mythology that disguises the “true legacy” of their work: “Myths. Legends. Stories. Tall tales. What is Skinner’s true legacy?” (8). In Chapter 3, Slater writes: “We once believed in psychiatry as a form of deities; those were the golden days, the 1930s, ‘40s, ‘50s, when psychoanalysis came to dominate the discipline with answers for pretty much everything” (76). In Chapter 10, Slater questions the mythology around the lobotomy: “Why, then, have we persisted in narrating lobotomy as purely evil?” (235). This motif supports the theme of Slater setting aside traditional science, and instead exploring the philosophical questions of psychology.
In each chapter, Slater profiles a detractor or naysayer to the experiment in question. For example, in Chapter 2, Slater interviews Daniel Jonah Goldhagen, a former professor at Harvard University who is “[o]ne of the most vocal Milgram detractors” (54). In Chapter 6, Slater interviews Roger Fouts, who thinks that Harry Harlow’s experiments were derivative of earlier psychologists’ work. In Chapter 8, Slater interviews Bessel van der Kolk, whose theory of trauma and memory directly contradict Elizabeth Loftus’s work on the subject.
This motif underscores the larger theme of truth in ambiguity—Slater offers a multitude of voices but does not make any definitive proclamations about which is right or wrong. In including “detractors,” Slater highlights the controversial, groundbreaking nature of each of these experiments.
Slater makes it a point to view the physical objects and artifacts associated with the experiments or the psychologists. She makes a pilgrimage to Harvard University’s archive in Chapter 1 to view B.F. Skinner’s actual box. In Chapter 6, she visits Harry Harlow’s lab, where he conducted his landmark experiments on primates. In Chapter 7, she visits Bruce Alexander’s rat park. In Slater’s words, she wants to experience the rat park through her senses: “In the end, I want to see rat park for myself. I want to lie in it and feel its space, smelled the pungent cedar shavings, crispy in my fingers” (177). In viewing and handling the actual objects, Slater enhances the narrative of Opening Skinner’s Box with first-person details involving the five senses. This supports her message about the mythology surrounding psychology, in that these objects seem infused with meaning and importance.
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