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116 pages 3 hours read

Sense and Sensibility

Fiction | Novel | Adult | Published in 1811

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Chapters 1-17Chapter Summaries & Analyses

Chapter 1 Summary

In the late 18th century, The Dashwoods are an established English family who have lived at Norland Park for many generations. The former owner of the estate was a single man who invited his nephew, Mr. Henry Dashwood, to inherit his home. Mr. Henry Dashwood has a son from his first marriage and three daughters from his second. While Henry’s son Mr. John Dashwood has an ample fortune through his mother and his advantageous marriage, Henry's daughters have no inheritance from their own mother and only £7,000 from their father.

When the old single gentleman who owns Norland Park dies, his will favors Henry Dashwood and his son; the three Dashwood girls inherit only £3,000 each. While Henry is disappointed, he hopes to live a long life and make more money. However, Henry dies soon after his uncle, and can do little to amend the situation. On his deathbed, Henry makes John promise to be generous to his half-sisters and their mother.

Initially, John believes he can increase his sisters’ fortunes by £10,000 each and remain a wealthy man. However, John is also selfish and greedy and his wife, Fanny, is even worse. Fanny arrives to take possession of Norland Park as soon as her father-in-law’s funeral is over, without giving prior notice to his grieving widow. Mrs. Dashwood feels the insult so strongly that, were it not for her 19-year-old daughter Elinor’s entreaties, she would have refused to greet the incoming family. Mrs. Dashwood and her younger daughters Marianne, 16, and Margaret, 13, have a tendency to be ruled by their feelings.  Elinor, however, “[possesses] a strength of understanding, and coolness of judgement, which qualified her […] to be the counsellor of her mother” (5). Elinor feels that Marianne has excessive sensibility, another word for sensitivity, but Mrs. Dashwood sees no danger in this at present.

Chapter 2 Summary

Fanny discourages John from giving his sisters more money, arguing that this will deprive their son of his fortune. She makes the argument that the girls are only half-sisters and therefore cannot fully claim John’s affection or loyalty. She manipulates John into decreasing his gift until it is no more generous than seasonal offerings of fish and game.

Fanny approves, pointing out that the women will live so frugally when they move into a small house of their own that they will not need more than the old gentleman’s will has provided. She paints a bleak picture of them living “so cheap. Their housekeeping will be nothing at all. They will have no carriage, no horses, and hardly any servants; they will keep no company, and can have no expenses of any kind!” (12).

Chapter 3 Summary

Mrs. Dashwood hopes that she and her daughters will settle somewhere near Norland Park, but Elinor points out that the neighboring properties are too large and expensive for them. Still, Mrs. Dashwood, who is aware of the promise her late husband extracted from his son, is confident that John will help them.

While Mrs. Dashwood’s contempt for Fanny makes her eager to leave Norland Park, she delays the departure because of a developing attachment between Elinor and Fanny’s brother, Edward Ferrars. While Edward’s mother and sisters want to see him publicly distinguished, he has a shy, quiet temperament and manners that require “intimacy to make them pleasing” (16). Still, the Dashwoods soon like Edward because he seems the opposite of his sister. Although he stands to inherit a great deal of wealth, the romantically inclined Mrs. Dashwood is motivated by his and Elinor’s mutual affection. When Mrs. Dashwood gossips to Marianne that he and Elinor may soon marry, Marianne admits that she finds Edward good but dull. She complains that he is unmoved by music and that he reads passionate passages of verse in an overly tame manner. While Elinor may be able to fall in love with such a man, Marianne's feelings require a suitor of greater sensibility. She even confesses to her mother that “the more I know of the world, the more I am convinced that I shall never see a man whom I can really love” (19).

Chapter 4 Summary

When Marianne laments Edward’s lack of confidence, Elinor admits that while he does not make a stunning first impression, the more she gets to know him, the more she likes him and even finds him handsome. Marianne gets carried away, stating how she thinks that Edward will soon be her brother-in-law. When Elinor says that she esteems and likes Edward, Marianne finds this pronouncement too insipid. Elinor laughs and says that Marianne may believe that she feels more for Edward than she has said, but that she should not be so confident that Edward returns her affection. She has observed that “there was, at times, a want of spirits about him which, if it did not denote indifference, spoke of something almost as unpromising” (24). Elinor senses that Edward has a secret and is therefore reluctant to give him her heart.

Fanny, who has also observed the attachment between Elinor and Edward, talks loudly about her mother’s expectations that he will marry ambitiously “and of the danger attending any young woman who attempted to DRAW HIM IN” (25). Mrs. Dashwood is so insulted by this accusation against Elinor that she immediately accepts her cousin Sir John Middleton’s invitation to come and rent Barton Cottage in Devonshire. Elinor, who thinks that it is better that the Dashwoods put some distance between themselves and Norland Park, approves.

Chapter 5 Summary

When Mrs. Dashwood announces that she and her family are leaving Norland Park for the Devonshire cottage, she makes it clear that Edward will be a welcome guest.

She rents the cottage for a year. The change in lifestyle and status is evident, as the Dashwoods will have no carriage or horses of their own. Elinor calculates that they can only afford three servants.

Mrs. Dashwood soon realizes that John’s generosity extends no further than the six months he has kept them on at Norland. Mrs. Dashwood and her daughters are tearful on departing from their former home.

Chapter 6 Summary

While they are melancholic on their journey, as soon as the women see Barton Valley where their cottage is located, they admire the lushness of the surrounding landscape. Although the cottage is in good repair, has sufficient bedrooms for them all and a good view, Mrs. Dashwood considers that “her former style of life rendered many additions to the latter indispensable” (33). She judges that as they have arrived in early September, it is too late in the year for improvements and that they can wait until springtime if they have money.

Sir John Middleton visits the next day and is friendly, giving them generous gifts of food and inviting them to Barton Park. There, they meet his elegant but formal wife and his lively children. Sir John Middleton makes it clear that he hopes the Dashwoods will visit often.

Chapter 7 Summary

Barton Park is half an hour away from Barton Cottage. Sir John enjoys the addition of the Dashwoods, considering the girls “young, pretty, and unaffected” (38). He laments that the only gentleman he can introduce them to is Colonel Brandon, who at 35 seems like an eternal bachelor. Still, the colonel admires Marianne’s singing and piano playing and has a pleasing, gentlemanlike manner. There is also Mrs. Jennings, a vulgar woman who tries to pry into the girls’ love lives by joking about them leaving their hearts behind in Sussex. When Marianne feels disgusted on her sister’s part and shoots Elinor a sympathetic look, it is “with an earnestness which [gives] Elinor far more pain than could arise from common-place raillery as Mrs. Jennings’s” (39).

Chapter 8 Summary

Given Mrs. Jennings’s wealthy widowed state and the fact that her two daughters are both well married, she has nothing better to do than to try to marry off the Dashwoods. She predicts that Colonel Brandon is in love with Marianne and considers it an excellent match, because Colonel Brandon is rich and Marianne attractive. Marianne is disgusted by the age difference between her and the colonel, and conjectures that he is too old for love altogether. Mrs. Dashwood, who is 40, cannot consign Colonel Brandon to old age or eternal bachelorhood.

Marianne confesses to her mother that she is alarmed because they have been at Barton cottage two weeks and Edward Ferrars has not yet visited them. Mrs. Dashwood reports that Elinor does not appear troubled, and she does not think they need to make any accommodation to the spare bedroom to prepare it for visitors. Marianne is dissatisfied with the cordial, unpassionate nature of Edward and Elinor’s leave-taking at Norland Park.

Chapter 9 Summary

The Dashwoods and take many walks in the surrounding countryside. Marianne and Margaret go for a walk one day, and Marianne trips and sprains her ankle when it begins to rain. A gentleman finds her and carries her home. His handsomeness draws all the women’s attention, as does his gallant, unaffected manner. He announces that his name is Willoughby and that he is staying at Allenham, a property owned by a woman called Mrs. Smith, who is too old and feeble to be present in society and whose possessions he stands to inherit.

Sir John arrives and offers no information other than Willoughby’s being a good hunter and rider. While he states that Willoughby is “well worth catching” (51), he laments that Marianne seems so taken with him that she will forget about the colonel.

Chapter 10 Summary

Willoughby visits Marianne every day. They talk openly, finding that they think alike on books and music. Elinor teases Marianne that she and Willoughby will soon exhaust every topic. Marianne protests the stuffiness of social expectation, stating that in expressing the enthusiasm of her true feelings, “I have erred against every common-place notion of decorum” (56). While Mrs. Dashwood considers Willoughby faultless, Elinor thinks that he is too careless in speaking his own mind. He is especially critical of Colonel Brandon, stating that the colonel is a man everyone respects, but no one feels strongly about. Marianne agrees, causing Elinor "concern; for what could a silent man of five and thirty hope, when opposed to a very lively one of five and twenty?” (58). Elinor thinks Colonel Brandon a good, well-informed, and well-traveled man. She attributes his depression to unfortunate experiences rather than natural temperament.

Chapter 11 Summary

Willoughby and Marianne make no secret of their partiality to each other. While Mrs. Dashwood believes this is natural for young people in love, Elinor wishes they would be more discreet, conscious that others are ridiculing them.

While Marianne is so happy that she barely misses Norland Park, Elinor is lonely, feeling that none of their new acquaintances can offer her intelligent conversation. The exception is Colonel Brandon, who also finds in Elinor “the greatest consolation for the indifference of her sister” (64). They discuss Marianne and her propensity to disapprove of second attachments, deeming them unromantic, even though she herself is the product of the union between a man and his second wife. Elinor hopes that a few years in the world will make Marianne more reasonable and mature. Colonel Brandon begs Elinor not to wish such a thing, stating that he once knew a girl, “who thought and judged like [Marianne], but who from an inforced change” altered her views (66). The colonel breaks off, as though he has said too much.

Chapter 12 Summary

When Elinor hears that Willoughby has gifted Marianne a horse, she is struck by the impropriety and impracticality of the gesture and tells Marianne that she must not accept. Marianne argues that while she has not known Willoughby long, she is “better acquainted him, than I am with any other creature in the world, except yourself and mama” (68). She claims that their mutual dispositions make them intimate acquaintances. Still, she agrees to return the horse. Willoughby says that the horse, named Queen Mab, is hers and that Marianne can take it up when she has a more permanent home. Elinor overhears Willoughby’s use of Marianne’s first name on its own, rather than referring to her as Miss Marianne, and conjectures that Marianne is on the brink of engagement. Margaret’s observation of Willoughby cutting and treasuring a lock of Marianne’s hair reinforces this opinion.

Margaret indiscreetly tells Mrs. Jennings that Elinor has her own gentleman lover and that his name contains an F. Elinor is deeply embarrassed and alarmed at the painful reminder of Edward. A plan for an excursion to Whitwall, a stately home belonging to Colonel Brandon’s brother-in-law, is made.

Chapter 13 Summary

The excursion to Whitwall is postponed because Colonel Brandon is called away to London on urgent business. He will be gone indefinitely. Mrs. Jennings whispers to Elinor that it has to do with Eliza Williams, a girl she believes to be Colonel Brandon’s illegitimate daughter.

The others decide they will amuse themselves by driving their carriages about the countryside. Marianne gets into Mr. Willoughby’s carriage and disappears off with him. That evening, at dinner, Mrs. Jennings teases the lovers about where they have been. In her determination to know the truth, Mrs. Jennings sent her own servant as a spy, who traced them to Allenham. When Elinor asks Marianne about this, the latter says she does not care about Mrs. Jennings’s “very impertinent remarks” about her conduct (80). Marianne describes the rooms at Allenham in rapture and talks about Willoughby’s plans to refurbish them as though she is certain of marrying him and becoming mistress of the place.

Chapter 14 Summary

Mrs. Jennings continues to conjecture that an extremely melancholy business must have dragged Colonel Brandon to London and mentions Miss Williams again. Elinor is frustrated by Marianne and Willoughby’s silence on their potential engagement.

Still, Willoughby and Marianne’s mutual affection is evident, and Willoughby protests Mrs. Dashwood’s wish to improve Barton Cottage, stating he does not want the place to be changed one bit. Elinor teases him about this, pointing out the cottage’s structural defects, but Mrs. Dashwood is charmed and invites Willoughby to dinner the next day.

Chapter 15 Summary

Mrs. Dashwood, Elinor and Margaret go to visit Lady Middleton, but Marianne stays behind. Mrs. Dashwood believes that this might be an occasion for Willoughby to propose. Instead, when they return home, Marianne is in tears and Willoughby states that he has also been summoned to London on urgent business for an indefinite period. He highlights the unlikeliness of returning to the neighborhood by saying that his visits to Mrs. Smith only occur once a year. Mrs. Dashwood warmly invites him to Barton cottage. He leaves them, stating that “I will not torment myself any longer by remaining among friends whose society it is impossible for me now to enjoy” (89).

Mrs. Dashwood is astonished but consoles herself with the idea that Willoughby must leave because Mrs. Smith suspects his attachment to Marianne and threatened to cut him off if he became engaged to her. Elinor is suspicious of Willoughby’s vague reasons for leaving, especially in light of his previous openness. Elinor desires solid proof that Willoughby is serious about her sister and disapproves the coldness of Willoughby’s leave-taking. When Marianne re-emerges from her room, she is under a “violent oppression of spirits” which she does not attempt to control (95).

Chapter 16 Summary

Marianne spends the first few days of Willoughby’s absence in a performative state of distress. She cannot sleep or eat and goes on rambling solitary walks to Allenham to reminisce.

When no letter comes from Willoughby, Elinor entreats their mother to ask Marianne whether they are engaged. However, Mrs. Dashwood’s “romantic delicacy” prevents her from forcing such a question (98). Elinor gains some reassurance from Marianne's confidence that he will merely be gone for weeks rather than months.

About a week after Willoughby’s absence, Elinor and Marianne see a gentleman on horseback. While Marianne is convinced that it is Willoughby, it turns out to be Edward. Edward seems overly reserved and “[distinguishes] Elinor by no mark of affection” (100). He reveals that he has been in Devonshire two weeks before visiting them. Elinor is hurt but endeavors to do her social duty and treat him with the politeness a distant family relation deserves.

Chapter 17 Summary

Mrs. Dashwood is unsurprised by Edward’s visit, regarding it as natural. Her warmth draws him out of his shell and Elinor begins to be easier in his company. Mrs. Dashwood playfully asks Edward if his mother still wishes him “to be a great orator in spite of yourself” (104). He confesses that he has no ambitions for public life or amassing great wealth.

Edward asks Marianne if she still holds fast to the belief that someone can only be in love once and she says that she will never change her mind on that point. When Edward shares the view that Marianne is “a lively girl,” while Elinor believes her more “earnest,” Elinor comments that one can only judge another’s character when one has known them for a time (108). Reports of what people say about themselves or other people’s reports of them can be unreliable. Edward is surprised to find that Marianne thinks him reserved. Elinor tries to laugh it off, saying that Marianne finds everyone who is less effusive than her reserved.

Chapters 1-17 Analysis

From the outset, the novel sets up the legal context which sees property pass down the male line, regardless of need or former residence. The Dashwood sisters’ expulsion from the home they have grown up in is the primary conflict at the start of the novel. However, Austen shows that despite the law, the sisters’ fall in fortune did not need to be so dramatic and that their dying father sought to prevent it. It is John Dashwood’s selfishness and inability to stand up to his wife that deprives the Dashwood girls and materially damages their social and marital prospects.

Deeply engaged with the gender politics of her time, Austen published Sense and Sensibility anonymously with the epithet “by a Lady.” Early 19th-century criticism of Sense and Sensibility centered on contrasting the personalities of rational Elinor, who embodies the title quality of sense and emotional Marianne, who embodies sensibility, which meant sensitivity in the context of Austen's time. These critics viewed the novel as a conduct manual for young women and debated which heroine was a better role model. They usually judged that Elinor’s conduct was the one which best promoted the satisfaction of self and others. In more recent years, feminist criticism such as that of Sandra M. Gilbert and Susan Gubar in The Madwoman in the Attic: the Woman Writer and the Nineteenth Century Imagination (1979), explores how the novel’s female characters are limited by the conventions of a patriarchal society and must use the power they have within this to advocate for themselves.

Fanny, despite the expectations of patriarchal society, has power over her husband, however she uses it to reinforce her own wealth rather than in acts of sisterhood. Fanny posits herself as the rival to the Dashwood matriarchy and forces her father-in-law’s widow and his daughters out of their home so that she can become mistress of Norland Park. The only woman Fanny forms a bond with is her own mother, who in turn exerts control over her son Edward’s life and marriage prospects. Together, Fanny and Mrs. Ferrars use their power to influence and excommunicate to reinforce their ensure that their wealth and social prestige continues to grow. This exploitation of unjust social dynamics forms the inciting incident of the novel, as Mrs. Dashwood and her daughters are subsequently forced to seek marriages with men who will provide what they suddenly lack.

Where power over money is deficient, Austen shows that a woman’s strength in a patriarchal society derives from her ability to master her character and the use of her time. Both Elinor and Marianne have independence of mind because they have occupations that mean they are less reliant on the whims of society. These include drawing for Elinor, music for Marianne and for both, reading and walking to discover their surroundings. Despite these commonalities, the omniscient narration portrays the two sisters as opposites in temperament. Elinor's defining quality of sense  gives her “a strength of understanding, and coolness of judgment” which enables her to govern her own feelings and oppose her mother’s more impetuous schemes (5). In contrast, Marianne, who is representative of sensibility, resolves to be “eager in everything: her sorrows, her joys, could have no moderation” (6). While much of the novel is written from an omniscient point of view, able to reveal the inner thoughts and feelings of all characters, Austen's famous use of free indirect discourse--a literary technique in which the third person narrative voice takes on the personality, diction, and values of a particular character--is aligned with Elinor. This establishes Elinor as the protagonist of the novel and suggests that the reader should give Elinor's perspective and opinions greater weight.

The sisters’ different personalities become more evident when suitors enter their lives. Whereas rational Elinor observes Edward closely, wanting to be sure of his intentions before she acts, Marianne throws caution to the wind following her romantic rescue by Willoughby. Marianne has little regard for society’s morals which dictate that a young lady’s reputation will be compromised if she spends time alone with her lover without being engaged or gives him a lock of her hair. Marianne’s behavior confuses those around her as they seek clarification within their own social codes and try to determine whether the relationship with Willoughby has progressed to an engagement. While Elinor seeks the truth, warning Marianne that her conduct has “already exposed you to some very impertinent remarks” (79), Mrs. Dashwood is as carried away as her daughter by Willoughby and as willing to be optimistic in the face of uncertainty. Although Mrs. Dashwood and Marianne believe that love conquers all, Elinor remains grounded in the grim facts of a patriarchal society, where men are the decision-makers and women must negotiate and preserve their reputation within the terms set by others, or become vulnerable to social ridicule and misfortune.

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