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46 pages 1 hour read

Signal Fires

Fiction | Novel | Adult | Published in 2022

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Parts 1-3Chapter Summaries & Analyses

Part 1: “August 27, 1985” - Part 3: “December 31, 1999”

Part 1, Chapter 1 Summary: “Sarah and Theo”

Fifteen-year-old Theo Wilf drives with his sister Sarah and a girl he wants to impress named Misty. The siblings took their mother’s car while both parents were asleep. It’s a typical summer night in Avalon and “The teenagers aren’t looking for trouble. They’re good kids—everyone would say so” (3). Sarah is entering her senior year of high school, and compared to her athleticism and grades, Theo feels inferior. She pushes him to have fun and take risks, which is why she invited Misty, Theo’s crush, out with them. Theo is nervous to drive. He burns his skin with his cigarette lighter, causing him to veer off the road and crash into a tree just outside the house. Theo and Sarah get out of the car, bloodied but alive. Their father Ben, a doctor, rushes to Misty, who wasn’t wearing her seatbelt and is unconscious. A neighbor calls an ambulance, and Theo sees that Misty’s neck is broken. Sarah lies and says she was the one driving, a lie that Theo goes along with.

Part 2, Chapter 1 Summary: “Benjamin”

From outside his window, Benjamin observes his neighbors’ young son, Waldo, searching for something outside, late at night. Ben is taking in the sights of his neighborhood of 40 years because he is moving out the next day. He sees Waldo’s father, Shenkman, on the rowing machine in his house, visible due to the lights being on. Ben strikes up a conversation with Waldo, and Waldo tells him that he’ll meet him at the magic tree. The magic tree is the oak tree that Theo crashed into years ago. Wildflowers have grown around it, a juxtaposition to the well-manicured lawns of the neighborhood.

At the magic tree, Waldo shows Ben his iPad, with a Star Walk app which scans the stars and allows him to identify constellations. Waldo is sensitive about his hobby because adults often dismiss or make fun of it. Ben is reminded of his own children, Sarah and Theo, and hurts for Waldo, who will likely face more challenges as he grows up. Waldo tearfully tells Ben that his father also dismisses his passion for stars. On his iPad, Waldo shows Ben their location in Avalon from the sky, denoted by two bright green spots.

Part 2, Chapter 2 Summary: “Shenkman”

Waldo’s father, Shenkman, is on his rowing machine, working out and remembering his past as a competitive rower, and finding an escape from his life. On the rowing machine app, he competes against a man named Lindgren, whom he rowed with in college. Shenkman is avoiding his wife Alice, who wants to talk about Waldo. He knows Waldo sneaks out at night to gaze at the stars, a hobby he’s hoping his son will grow out of. He loves Waldo but has a difficult time communicating this to him or relating to him. Shenkman catches Waldo sneaking back in. He yells at him, takes away his iPad, and grounds him. Alice goes to Waldo in his room to comfort him. Shenkman sees an email from Lindgren but doesn’t want to talk.

Part 2, Chapter 3 Summary: “Sarah”

Sarah is on her way to be with her father, Ben, worried that Theo won’t show up. She doesn’t want to speak ill of her brother, which would violate the Jewish law of lashon hara. On the phone, she talks to her husband Peter, who couldn’t attend the last-minute trip. As Sarah’s driver pulls into the driveway of her childhood home, with its signature oak tree, she is haunted by the memory of the car accident. Another phone call comes in, from an affair partner whom Sarah stood up. She hangs up on him. Ben is pleasantly surprised by her midnight visit. Sarah notes the packed boxes around the house and feels guilty for not coming sooner to help him pack.

Sarah ignores several missed calls from her affair partner. She believes she is doomed to a divorce in which her daughters will side with Peter. She wants to confide in her father but knows it’s not the right time. Ben notices that Sarah seems off, but they go to bed, as a moving company is coming in the morning.

Part 2, Chapter 4 Summary: “Theo”

Theo works late nights as a chef at his popular New York City restaurant. He admires the sight of Harper Loomis, a regular whom he is attracted to. Suddenly, he receives a phone call from his sister Sarah, telling him that their mother has disappeared from her retirement home, Avalon Hills. Theo hurriedly arranges a trip to Avalon to help his family.

Part 2, Chapter 5 Summary: “Waldo”

After hearing his parents argue over what’s “wrong” with him, Waldo decides to run away. He packs a backpack with some spare cash and retrieves his iPad from his father’s exercise room. Waldo sets off into the night, uncertain about his decision. He doesn’t know where to go; he doesn’t have any friends because the children at school find his fixation with stars odd. He walks to the mall through the cold of the winter night.

Part 2, Chapter 6 Summary: “Mimi”

Ben’s wife Mimi wanders through the cold. She believes she is in Bermuda with her family, and is looking for her young children. She finds a young boy (Waldo) whom she embraces as Theo. The boy initially fights Mimi off but tries to take care of Mimi because she’s bleeding, cold, and promises not to hurt him. He comforts her by showing her the constellations on his iPad.

Part 3, Chapter 1 Summary: “Shenkman”

It’s New Year’s Eve in 1999. Shenkman has always hated New Year’s Eve celebrations, but his firm needs to focus on compliance because of the threat of Y2K. He thinks the people who believe in Y2K, who are hoarding goods in preparation for the end of the world, are foolish. He is more focused on his pregnant wife, Alice, and their future son (Waldo). Shenkman tries to suppress his father’s disdainful voice, worried that he himself won’t be a good father. Alice’s water breaks unexpectedly, and Shenkman is uncertain what to do. He seeks out his doctor neighbor, Ben Wilf. Ben prepares Alice for a home delivery. EMTs arrive to help just as the infant crowns. Alice gives birth on her kitchen floor.

Part 3, Chapter 2 Summary: “Sarah”

In 1999, Sarah has been living in Los Angeles for three years, working as a film producer. She met Peter when he submitted a screenplay for her boss. Now married with twin daughters, they’re setting up a New Year’s Eve party for 12. While Sarah has succeeded in her career, Peter’s career as a screenwriter has yet to take off. She makes enough money to support her family’s lifestyle but worries about Peter’s ego as his writing continues to fail. She is surprised when her brother Theo shows up unexpectedly. He dropped out of college and has been living in their parents’ home, though he often disappears for months at a time. Theo has been suffering from poor mental health, and Sarah constantly wonders if it’s because they never talked about Misty after her death. Now, Theo is meeting Sarah’s daughters and husband for the first time.

Part 3, Chapter 3 Summary: “Theo”

When Theo returned to the United States after a foray in Buenos Aires, Argentina, he spent three days staring at Sarah’s house, alarmed by her new life and uncertain if he could be a part of it. He feels out of place at her New Year’s Eve party but grateful to be with his sister again. He misses Buenos Aires and his life learning to be a chef there, but Sarah asks him to stay with her for a while.

The next morning, Theo wakes up before everybody else and prepares a gourmet breakfast from leftovers. When he opens the doors for some air, the house alarm goes off, waking Sarah and Peter. Theo feels embarrassed for causing chaos. Distracted by the alarm and the security guards checking in, he forgets about his cooking and burns the food.

Part 3, Chapter 4 Summary: “Mimi”

The new neighbor (Shenkman) whose wife (Alice) went into labor reminds Mimi of her son (Theo) because they are similar in age. Mimi quietly prays to the universe to return Theo to her. She is sad about a new millennium starting because the past millennium holds all her memories of her children, who are now adults and living far away from her. When Ben returns from the delivery, he is noticeably shaken. Though Waldo came out healthy, Alice or Waldo could have been jeopardized—which reminds Ben and Mimi of their children’s car accident.

Mimi prepares dinner. She and Ben aren’t spending New Year's Eve with anybody else; most of their friends and neighbors have moved on due to different life paths and problems. Their neighborhood is now filled with mostly new, young families whom they don't know. They receive a phone call from Theo, the first in many years. He tells Mimi that he’s with Sarah in Los Angeles, and Mimi is both shocked and overjoyed.

Part 3, Chapter 5 Summary: “Waldo”

Waldo is a newborn baby with challenges and growth ahead of him. It will take him a long time to learn how to talk, and even as an adult, he will struggle to express himself. As an infant, all he knows is his mother’s warmth. Waldo doesn’t yet know his father’s disappointment or the feeling of constantly searching for his parents. He unknowingly inherits the Shenkman history of all his ancestors at the moment of his birth.

Parts 1-3 Analysis

Dani Shapiro immediately builds tension in Signal Fires through the car accident that kills Misty. The accident causes trauma that informs much of the novel, especially for the Wilfs. Shapiro foreshadows the novel’s structure through her early use of present tense and future statements, informing the reader that the accident will have reverberations on the characters’ future selves—much like the nature of trauma. This establishes Shapiro’s deconstruction of time, her positioning of the accident as simultaneously in the moment and occupying the future. The ripple effects of Misty’s death include Sarah hiding behind the façade of her success. She’s a star high school athlete and student turned successful Hollywood producer, which provides her with a veneer of respectability while on the inside, she struggles. Sarah is concerned about her brother Theo, whom she tried to protect by lying that she had been the offending driver in the accident. She stands up for her brother when they are teenagers, and she does it again as an adult without resentment. When Theo reappears in her life after years off the grid, Sarah welcomes him into her home with open arms. Theo and Sarah have a tightknit relationship, even though it’s been years since they’ve seen each other. For these siblings, time and space can’t break their bond.

Theo also carries his adolescent trauma into his adulthood. Before the accident, he was already a nervous teenager, self-conscious about his weight and living in his popular sister’s shadow. He had a crush on Misty but didn’t know how to handle it. The accident confirms for Theo the worst of his anxieties. The guilt over Misty’s death is profound, and Theo internalizes this guilt as indicative of his identity. As a young adult, he continues to punish himself. He purges on food, struggles with mental illness, and acts erratically. When Theo disappears to Argentina, it is clear that he is trying to run away from himself; however, the trauma of Misty’s death follows him wherever he goes. He also rejects the unconditional love of his family because he doesn’t know how to love himself.

Sarah and Theo are united by trauma, with their parents, Ben and Mimi, also being responsible for the prolonging of this trauma. The accident becomes a forbidden topic of conversation, morphing into a family secret that no one in the Wilfs can approach. This silence prevents Sarah and Theo from getting help to deal with Misty’s death and their own guilt. The secretive nature of this traumatic event makes it seem as if Sarah and Theo should be ashamed, even if this is not the intention. The establishment of this secret is important in structuring Shapiro’s narrative as a family drama.

The setting of the novel is also crucial to themes of connections and disconnections. Avalon is a suburb that evokes the typical idyll of suburban life. Lawns are manicured, and neighbors are on good terms with one another, with everyone knowing everyone just enough. There is privacy in this town, but also community, families. But underneath the surface of this idyll is the bitter reality that life is inherently imperfect. The façade of the suburbs belies the chaos that exists within homes, families, and individuals. This setting informs character dynamics. The Wilfs have good standing in Avalon, but the car accident threatens their reputation. The desire to maintain an idyll of goodness and happiness prevents the Wilfs from confronting Sarah and Theo’s shared trauma. Therefore, Avalon becomes symbolic of the family keeping up appearances instead of directly dealing with conflict. This is also highlighted through the concept of lashon hara, a Jewish term for slighting a person’s character without the intention of improving upon the negativity. Mimi refers to this term because she worries about her children’s positive qualities being lost to a negative reputation, even though they were responsible for Misty’s death. Lashon hara is very much about reputation, which is important to the Wilfs even if they don’t acknowledge it.

The secondary setting of Los Angeles, where Sarah lives as an adult, is also symbolic. Sarah is immersed in the culture of her work. As a Hollywood producer, Los Angeles is both where she needs to be for work and a city defined by this work. This work requires another type of façade, in which networking and resilience earn respect. It is a setting that is ideal for Sarah, who can hide her trauma behind her being a successful producer, mother, and wife. But when Theo joins Sarah in Los Angeles, his past puts him at odds with his environment. Theo feels clumsy in his sister’s home; him accidentally setting off the house alarm is an honest mistake that he perceives as further proof that he doesn’t belong.

The novel comprises parts named after various dates. Within these parts, are chapters featuring individual characters. The reader is therefore given third-person limited perspectives on each character. There is no central protagonist, highlighting the importance of human connection over any one human. This structure conveys two important messages: The first is that time is a loop in which past, present, and future coexist, and the second is that individuals have their own personalities and conflicts, but the individual is meaningless without their connections to other people.

The youngest character in the novel, Waldo, is introduced standing outside in the middle of the night. He has a passion for stars and uses the Star Walk app to analyze the night sky, sharing this passion with Ben as he trusts his neighbor. While everyone else focuses on the daily minutiae of life on Earth, Waldo thinks about the universe as a whole. Through Waldo, Shapiro discusses the infinity of the universe and the relatively small scale of human existence. In Parts 1-3, the stars symbolize an escape, peace. Because Waldo has an intimate understanding of the vastness of the universe, he finds peace in his painful existence on Earth. Ben is moved by Waldo’s lessons, and takes comfort in knowing that his family’s troubles are meaningless in the grand scheme of things. The stars provide context for the mystery of human existence. In a way, every character in the novel is lost: Shenkman is lost in his resentment, Ben is lost to his wife and children, Mimi is literally lost in the streets and detached from her mind, and Sarah and Theo are lost in their shared trauma. However, Waldo lives in the moment.

Parts 1-3 also bring up important ideas about birth, death, and the possibility of rebirth. Misty dies young, denying her a future that could have been. This death is representative of the random, unfair nature of life. On the other hand, there is Waldo’s unusual birth, which is representative of hope and the possibility of joy. Rebirth is introduced through Theo’s return to the United States in a subconscious attempt to confront his past. If Theo can come to terms with his trauma, he can be “reborn” as a happier, more stable person.

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