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Carmine Torres strolls restlessly through the neighborhood. Suspecting that Olivia Sharpe wrote the letter, she decides to talk to Raleigh. Meanwhile, she continues her canvassing, bringing her face to face with the young man she saw drunk on the street. She asks him for computer help, and he suggests Raleigh Sharpe. Carmine tries to engage Adam’s mother, Glenda Newell, in gossip about the recent murder, but Glenda cuts her off and shuts the door firmly. Carmine calls Raleigh and arranges to meet him at the local coffee shop for a consultation.
Meanwhile, Raleigh’s father is summoned for another interview. Webb questions his claim that he visited his elderly aunt. Eventually, Paul Sharpe admits to owning a small cabin close to where Amanda’s body was found. He and his wife were last there a couple of weeks earlier to winter-proof it. Webb asks his permission to search it, and Paul reluctantly gives his consent. After he leaves, Webb and Moen discuss Paul’s feeble alibi. They think Paul might easily have lured Amanda to the cabin, killed her, and then sunk her car and body in the nearby lake. Next, they plan to confront Larry Harris with the surveillance footage of him taking Amanda to the hotel.
Raleigh goes to the coffee shop to meet Carmine Torres about her computer, hoping to make some quick money and impress his parents. Carmine abruptly accuses him of breaking into her house. Scared and confused, Raleigh angrily denies it, though he knows he is behaving guiltily. Carmine tells him about the letter of apology, which she says his mother wrote, and Raleigh realizes that his fingerprints in her house can now be matched to those he has just left on her laptop. Frantically, he denies it again, and warns her to “back off,” but as he leaves, she calls after him, “This isn’t over!” (190).
That same day, Olivia drives into the Catskills to visit Paul’s aunt, who, despite having dementia, recognizes her. However, she does not remember Paul visiting her recently. She mentions that the police visited her, but she does not remember why.
Larry Harris, confronted by Webb and Moen about his affair with Amanda, admits that he saw her for weeks. Webb tells him that they have camera footage of them visiting a hotel the Tuesday before she was murdered. Larry claims that that was the last time he saw her or spoke to her. He admits that he and Amanda used burner phones, but he says he threw his into the river from a path about a week after she went missing; he actually threw it off a bridge the Sunday after her disappearance. Larry repeats his claim that he stayed in his room and that the resort’s security cameras must show that his car did not leave. Webb tells him that the parking lot has no cameras; hence, he has no alibi. Larry looks scared and tries to cast blame on Robert Pierce, who he says was cold and abusive to Amanda, allegedly threatening to kill her if she cheated. He tells the detectives about the call he received from Robert on Amanda’s burner phone the very day she disappeared, with Robert recognizing his voice and calling him by name.
In a flashback to the minutes just after Becky’s last interview with the police, Becky asks Larry if he killed Amanda. He insists that he had nothing to do with it. Becky believes him and tells him to say that he threw his phone away several days after the disappearance, into the river from a path, not a bridge, which may have cameras. She tells him to conceal the fact that on the day before Amanda’s disappearance, he and Amanda had had an argument in which she broke up with him.
Alone with her thoughts, Becky remembers an incident from years earlier in which Larry angrily assaulted a teenage boy who had been harassing their daughter. This makes her wonder if he might have killed Amanda in a fit of uncontrollable rage. Uncertain whether the killer is her husband or Robert Pierce, she goes next door and tells Robert that her husband is being questioned by police. Robert tells her that he knew Larry was having an affair with Amanda and only slept with Becky for revenge. However, he adds that the police have no proof that he knew about Amanda’s affair with Larry. Becky accuses him point-blank of murdering his wife. He says that the murderer is likely himself of Larry, vaguely threatening her.
Paul tells Olivia that the police want to search their cabin in the Catskills. She reassures him that they have nothing to hide. Raleigh overhears their argument and resolves not to tell them about his meeting with Carmine. Detectives Webb and Moen drive into the Catskills to search the Sharpe cabin. Paul and Olivia are already there to let them in. She remembers that, when she and Paul were closing it up two weeks before, there was nothing out of place.
The detectives discover that a hammer is missing from the toolbox in the shed. Webb says that they’ll need a crime team, and Paul tells him to get a warrant. He does so, and when the technicians arrive, Webb points out some bloodlike stains on the kitchen curtains, a possible source of DNA evidence. The team sprays luminol around the kitchen area, and the floor lights up, showing an apparent path of blood from the kitchen sink to the back windows that face the lake. The biggest pooling of blood is by the windows, but the walls and ceiling also light up from the luminol. Someone has scrubbed away all visible traces of the blood. Paul and Olivia appear deeply shocked. Webb places Paul under arrest for the murder of Amanda, and Olivia faints.
At the police station, where Paul is being questioned, Olivia thinks back over the previous weeks and her last visit to the cabin. Paul maintains his innocence, but she doesn’t know if she believes him. Detective Webb suspects that he may have murdered Amanda out of jealousy over her affair with Larry.
Glenda visits Olivia at the police station. She says she will stand by Olivia, no matter what, because that is “what friends are for” (219). She drives Olivia home, and Olivia breaks the news to Raleigh that their cabin has been identified as the murder scene and his father has been arrested. Raleigh tearfully insists that his father must be innocent. Olivia tells him that the police want to fingerprint their family—and Keith and Adam, since they’ve all been at the cabin—to eliminate their prints from the murder scene.
Unable to sleep that night, Olivia struggles with doubts about Paul’s innocence, and recalls again how enthralled the men were with Amanda, and how none of the women liked her, especially not Glenda, whose husband Keith she flirted with, or Becky, who seemed equally angry. She thinks that Becky may have been right about Paul having an affair with Amanda, and that he might easily have killed her in their cabin. Watching her son Raleigh sleep, she reflects sadly that both he and his father have secrets that they keep from her. Only she, Olivia feels, has no secrets to keep.
In shock and disbelief, Becky Harris reads in the paper about Paul Sharpe’s arrest and all the evidence against him. She feels sorry for herself, knowing that the upcoming trial will reveal her and Larry’s affairs to the world, but she feels especially bad for her friend Olivia. However, she also feels relief that Larry has been cleared as a murder suspect.
Paul Sharpe has retained the expensive services of Emilio Gallo. As Webb tries to question Paul, Gallo runs interference, claiming the evidence against his client is circumstantial and that the police have not even identified the blood in the cabin. Even if it is her blood, there is no solid evidence that Paul was having an affair with her; anyone, he says, could have been in that cabin and murdered her. Webb realizes that, with Gallo defending him, Paul Sharpe will never confess. They will have to build a solid case.
Olivia, visiting Paul at the station, wavers between supporting her husband and giving up on him. He swears his innocence to her, and says reasonable doubt is on his side, but she still hopes for absolute proof, for her own peace of mind, that he didn’t kill Amanda. When she points out that they always kept the cabin locked, he suggests she tell the police that their cabin has had a history of break-ins, but she refuses. Paul asks her only how Raleigh is.
The news of Paul’s arrest has put Robert Pierce in a wonderful mood. He thinks that now, maybe, he can put Amanda behind him. In his mirror, he carefully grooms himself before going out to face the news cameras, to play the role of a bereaved husband.
At this late stage of the novel, the murder scene is finally identified: not a house in the suburbs but a lakeside getaway cabin owned by Paul Sharpe, who has never mentioned it before. The description of its main room—part kitchen, with a “view” facing back to the lake—immediately invokes the room where Amanda was attacked in the prologue, with its two back windows. The novel’s mysteries now center on this small cabin and which of the suspects might have known about it and had access to it that weekend. This process of elimination speaks to the theme of The Duality of Human Nature in that each suspect seems capable of having a motive to kill Amanda, yet each has also appeared a friendly neighbor and part of this community.
As with most whodunnits, the pool of suspects will gradually narrow, according to their access to the cabin. Now, Webb and Moen’s web continues to tighten around Paul, whose aunt-alibi has fallen apart, and Larry, who has been caught on video with Amanda on multiple occasions—but somehow not by the Deerfield Resort cameras that might have exonerated him for her murder. His wife, Becky, concerned about their reputation, eagerly coaches him on how to lie to the police about the disposal of his burner phone so as to avoid more suspicion. The detectives have made the strange blunder of informing Becky of the hotel surveillance footage before springing it on her husband, giving the two of them time to prepare lies for him to tell. The result is that the police cannot timestamp exactly when Larry disposed of his phone, much less fish it out of the river. This plotting from Becky and Larry reveals their true natures, perhaps particularly Becky’s, as she reiterates the idea of reputation whereas Larry may have genuinely mourned Amanda. Still, the ethics of both characters are questionable, especially when they function as a unit of deception.
Further, with regard to characters’ true natures, Robert Pierce becomes an even more sinister and mysterious figure, implying to Becky that he may have committed murder, and might very well again, if she doesn’t watch out. Seeking to drive a wedge between her and her husband, whom he hates, he also suggests to her that Larry might be the killer. While Becky and Larry work as a team, with Becky in charge, Robert remains a largely solitary character. Indeed, throughout the novel, no friendships have emerged, no calls from worried family members. And while he prepares to play the role of bereaved widower, his actions thus far have made him appear all the more suspicious. Carmine Torres, too, continues to make enemies, luring Raleigh Sharpe to a coffee shop and accusing him of breaking into her house. Running from the shop, Raleigh realizes that he has, through his fingerprints, given her the means to convict him for trespassing. It is doubtful, though, that this possibility has occurred to Carmine, who seems less interested in building a criminal case than in satisfying her personal curiosity—which includes face-to-face meetings with all of the neighbors who have been ignoring her. This may be her unconscious revenge on a neighborhood that she feels has excluded her. Carmine’s behavior with her suspicious, secretive neighbors foreshadows the danger she will find herself in, as she is injecting further paranoia into an already high-stress, dog-eat-dog environment.
While Webb and Moen comb the Sharpe cabin for evidence of Amanda’s murder, Olivia is allowed to make coffee for them like a good hostess. While performing this comforting ritual, in a place that she has known and loved for twenty years, she takes solace in the age-old peace and security of her vacation home. Later, when the forensics team sprays their luminol and Amanda’s blood lights up, Olivia has a harsh awakening: Her memories of domestic coziness have been retroactively defiled. Seeing her husband arrested on the spot for Amanda’s murder, she has no safe places left in the world. Despite it being difficult to feel empathy for many of the characters in that they lack grief over Amanda and instead focus on themselves, Olivia offers a humanizing touch to the novel, as she is trying to hold her family together at any cost.
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By Shari Lapena
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