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After leaving Westleigh Way, Fern breaks up with her secondary school boyfriend, Adam. She handles the breakup very poorly; in retrospect, she sees this as another autism symptom, having an inordinately intense focus on dating relationships. She and Lauren begin contacting adults on a same-sex dating website. During this time, she begins exchanging messages with a married couple, Karen and Shaun, who are seeking a third partner. She eventually agrees to let Karen and Shaun pick her up in Bathgate and bring her to their home in Glasgow, where she has sex with them for several hours. Feeling uncomfortable, she manages to convince them to drive her back home to Bathgate. As an adult, she realizes that Karen and Shaun very likely knew that she was a minor at the time.
Fern’s mother finds out about Karen and Shaun from a neighbor who witnessed them picking Fern up at the house. In response, she begins kicking Fern out of the house. Completely unsure of how to fend for herself, Fern relies on friends’ parents to house her. Having received an acceptance to attend university in Edinburgh, she stops attending secondary school altogether and spends her time at the local library. She also befriends a local shopkeeper, Mo, who promises to teach her Arabic but is actually grooming her.
Her parents become convinced she is smoking marijuana based on things they did not realize were autism symptoms, and they pretend the police have a warrant for her arrest to get her to confess. Fern is shocked by this stunt and leaves home, vowing to end contact with them. She goes to Edinburgh, where she dates and lives with a man in his mid-twenties, Scott. At a party one night with Scott’s friends, she encounters the new girlfriend of a former sexual partner, Sian, who taunts her about being underage. Fed up with being treated poorly by other women, Fern hits Sian over the head with a glass bottle. Reflecting on the incident as an adult, she is relieved that Sian was not killed, and that she did not wind up as one of the many people with undiagnosed autism who only discover their condition after being convicted and put in prison.
Fern’s parents help her move into her first year accommodations at the University of Edinburgh, despite not having lived with her for the entire summer. She expects university to be a space where she can finally feel free, but she is immediately confronted by the classism of other students and the difficulty of her coursework. Intimidated by asking for help, her grades suffer immensely. She also does not receive adequate funding for housing and other expenses despite supposedly receiving a scholarship.
She receives a call from her father, who tells her she needs to return to Bathgate to speak with the police about the Sian incident. She is charged with common assault and charged £200, in part because she does not follow her attorney’s advice to express remorse over the incident. Around this time, she begins dating John, a good-looking student who comes from a similar class background as her. Fern enjoys “how eccentric he was. He felt like my twin, albeit the more popular, confident one” (159). She goes to meet his family and struggles to socialize with them, but she attributes this to the fact that they are Protestant and she is Catholic.
Unable to afford student housing, Fern moves out and begins living with John. Her father and mother separate, and she begins to hyperfixate on her relationship to cope. When they eventually break up, she has nowhere to go other than her mother’s home. Like before, though, her mother eventually kicks her out. Now unhoused, she stops eating regular meals, choosing instead to rely exclusively on cornflakes. At the same time, she retakes her exams in order to move to the next year of her university program, but she blanks on all the material in the middle of the test.
She gets back together with John, but their relationship continues to be toxic. After an attempt to break up with him a second time, John fights and strangles her in bed before holding her head under a pillow. As she suffocates, Fern realizes that he is trying to kill her, but he changes his mind at the last second and takes the pillow off her face. The domestic violence continues, until she finally goes to get a restraining order. After a brief period of separation, during which time a doctor tells Fern she cannot be autistic because of her boyfriend, she and John get back together again. He asks her to write a letter asking the judge for leniency, and his charges are reduced to a breach of the peace, costing him only £200. Shortly thereafter, Fern overdoses on her antidepressants and painkillers. At the hospital, she convinces the doctors that she was not trying to end her own life, and John leaves her.
In order to keep up with her bills at university, Fern begins working as a stripper in Edinburgh. Others don’t seem to know how to respond appropriately to her work, demeaning her for being naked in front of strangers. She says that, ironically, strip clubs were some of the most sexually safe workplaces she ever experienced: “The bind is this: I’ve never lost jobs in a strip club for speaking out about male harassment. We had no shame in calling men out in the clubs. Instead, we just had the offensive man immediately removed by a big Latvian bouncer on steroids” (180). Nevertheless, others seem to feel better about themselves when they demean her for her sex work.
The strip clubs are also very friendly to her needs as an employee with autism. Dim lighting helps with her sensory comfort, the hyper feminine performance is an extension of the masking she engages anyways, and the bluntly transactional nature of the work is socially straightforward. Fern also finds that she enjoys being around the other strippers, feeling a sense of belonging in a large group of women for the first time in her life. The men who frequent the clubs she works at often come from privileged backgrounds, and she does not have much sympathy for them. With the money from stripping, she is able to keep herself afloat during the tumult of her university years.
Toward the end of her time as a student, Fern is increasingly fatigued by the high emotional demands of stripping and the low pay it provides. To make matters worse, her maternal grandfather passes away, forcing her to grieve while she tries to perform for voyeuristic men at the strip club and finish school. This combination of overwhelming factors leads her to have a shutdown, a response wherein a person with autism emotionally or psychologically distances themselves from their circumstances as a coping mechanism. Fern does not recognize it as such, however, because she has not yet been diagnosed.
Fern’s childhood hopes for a life filled with agency and independence starting in university are disappointed in this middle group of chapters, where she struggles the most with her undiagnosed autism and a lack of adequate support. Whereas the struggles of her early childhood are presented through a filter of youthful innocence, young adult Fern is painfully aware of all the ways she is suffering, and this awareness is reflected in the text. She writes, “In my teens and early twenties I frequently had the sense that a madwoman was driving the car of my life while I sat in the back seat observing it and wondering how we ended up here” (188). The metaphor of the out-of-control car conveys Fern’s complete loss of agency and dissociation from traumatic events that are happening to her, and it evokes her increasing struggles with uncontrollable meltdowns and shutdowns.
In scenes where Fern is experiencing severe mental health difficulties, the dissociative tone and syntax of the writing reflect it. Of her intentional overdose after a fight with John, she writes, “Trying to kill yourself never pans out the way it does in films. In hospital they do ask you if you meant to kill yourself but it’s such a factual box-ticking exercise that to answer with any kind of emotion would be mortifying” (177). Her use of the second person in this moment, when she is actually referring to her personal experience, distances the events of her life from her physical person and generalizes them such that they might be happening to a reader. In another passage, she has a breakdown while working at the strip club after the passing of her grandfather. She recalls how a “distorted, very high-pitched wheeeeeee noise filled my head. More men came over and asked for dances. “‘Go away,’ I told them. ‘Fuck off.’ From here on in, my memories become nightmarish little shards” (213). The onomatopoeic description of what she is hearing helps create a more intimate understanding of her physical experience of dissociation. Furthermore, the figurative language used to describe her memories, likening them to “nightmarish little shards,” immediately conjures the pain they inflict on her.
Though Fern is keenly aware that her deteriorating mental health has consumed her life, making it almost impossible for her to live happily and achieve her goals, she still does not have the diagnosis she needs to help explain this deterioration. This missing information is not for lack of trying to get it, however. After John’s attack, she tells a doctor, “‘I think I might have Asperger’s,’ […] I’d been mulling it over for a few years and finally had the confidence to say it” (174). When the doctor offhandedly dismisses her, claiming her romantic history disproved that possibility, she is unknowingly confronted by one of the memoir’s central Intersections Between Misogyny and Ableism. These two social forces are converging to work against Fern in ways that she cannot fully recognize or understand, precisely because she has not received the diagnosis yet. In this way, Fern’s missing diagnosis functions as a linchpin for many of her problems: getting a diagnosis would help her to better identify and face the systemic challenges she faces, but she cannot get one precisely because of those same systemic challenges. Post-diagnosis, she is able to identify when these same forces are leveraged against other women with autism, watching with sympathy as documentarians make a spectacle of a neurodivergent sex worker. “The show seemed to exist mainly to gawp at misfit women,” she relates, “Louis’s trademark voiceover ponderously wonders why someone would do this job, ignores her autism, fails to draw any real conclusions, goes back to asking why on earth anyone would do the job” (201-02). This implies that in her time as a stripper, Fern was treated in similar ways by neurotypical clients and acquaintances; however, this understanding of what was happening is only possible in retrospect.
Fern exists in a state of mental health limbo during her young adult years, where she is very aware that things are going poorly but is unable to get the help she needs, despite her best efforts. This transitional period between the innocence of her childhood and the self-actualization of her life post-diagnosis is the memoir’s most conflict-dense section because of the internal and external tumult she experiences.
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