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50 pages 1 hour read

The City We Became

Fiction | Novel | Adult | Published in 2020

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Symbols & Motifs

The Color White

Racial identity looms large in The City We Became. Jemisin’s characters are clearly delineated: They are either people of color or they are White, and the two sides tend to be separated by a wide moral canyon. Everything white in the narrative—the Woman in White, the white tendrils, White cops, and R’lyeh’s white city—represents infestation, decay, and destruction. While her main protagonists exhibit more nuance, they are by and large noble warriors. The stark divide that Jemisin draws between White and non-White pulls the narrative into the realm of allegory, preaching the gospel of social justice loudly and unapologetically. With White supremacy on the rise—or at least more willing to show its face in public—Jemisin’s tale of malevolent Whiteness is cautionary and timely.

Cash/Credit

When Manny and Bel encounter the white tendrils in Inwood Hill Park, Manny makes an intuitive connection between his innate city power and money. Throwing cash and a credit card in the path of the encroaching enemy slows it down just long enough for Brooklyn to arrive and finish the job. Each avatar draws their power from some quality innate to their borough, and for Manny, that quality is commerce. Jemisin makes a clear statement about the power and the pitfalls of money. Wall Street, located in Manhattan’s downtown financial district, has long symbolized unbridled capitalism. People have gotten rich or been driven to the poorhouse by its indifference and capriciousness. Capitalism, of course, is a double-edged sword—it can spur innovation and upward mobility, but it can also lead to income inequality and corruption. Manny’s dichotomy, between his dark past and his pursuit of redemption, is also Manhattan’s, and his use of money as a weapon perfectly captures the power, often misapplied, of the financial capital of the world.

The Williamsburg Bridge

The first victim of the Enemy’s assault on New York City is the Williamsburg Bridge which connects Manhattan’s Lower East side to Williamsburg, Brooklyn. While it may seem an arbitrary target given the more famous Brooklyn Bridge, it can be read as a deliberate comment on gentrification and displacement. Once a neighborhood of old warehouses and ethnic Italian and Jewish communities, Williamsburg saw an influx in investment as developers saw abandoned warehouses as ripe for loft conversion. Their foresight paid handsomely. Williamsburg, conveniently located only a single subway stop from Manhattan, became one of the first neighborhoods to undergo widespread gentrification. It is now home to high-end restaurants, craft cocktail bars, and artisanal coffee shops. By destroying the bridge that connects Manhattan to this hipster neighborhood, Jemisin metaphorically severs its main artery. Without the means for Manhattan to supply Williamsburg with a steady flow of young, affluent, and White interlopers, Jemisin can imagine a Brooklyn of the past: a borough of clustered immigrants, living, working, and dreaming of a better future together.

Brooklyn’s Brownstones

Brooklyn Thomason’s two brownstones, originally purchased by her working-class father when the neighborhood allowed for affordable mortgages, symbolize the upward mobility possible to people of color who invest in their community and who wait for the investment to pay off. Now a desirable part of Brooklyn, the brownstones, paid off in full, are worth millions. It seems that Brooklyn, a city councilwoman and lawyer, is sitting on a gold mine. However, this also epitomizes the ease with which the city—in the guise of the Better New York Foundation—can reclaim those brownstones, suggesting that whatsoever the White power structure giveth, it can taketh away. In her book, The New Jim Crow, civil rights attorney Michelle Alexander argues that whenever people of color make social or economic advancements, the White power structure finds a way to erase those advancements. Indeed, a successful black woman with institutional power is a threat, especially if she uses that power to advocate for the poor and disenfranchised. No good deed goes unpunished, evidently, and the backlash is swift. Brooklyn’s audacity in daring to become a homeowner is met with an eviction notice and the theft of everything she has worked for.

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