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Mrs. Payne asks Jo to weigh in on if a common horse can participate in a horse race. Jo replies any horse can be trained to be great. Caroline is happy with Jo’s answer since it means Thief—who hasn’t been bred to race—can participate in the upcoming races.
Miss Saltworth and Miss Pepper—whom Jo privately calls “Salt” and “Pepper”—visit Caroline and discuss the new Miss Sweetie column in the Focus. Jo is astonished to learn the Bells published her piece advising ladies to ask men out to the race. Meanwhile, Mrs. Payne asks Jo to fetch the newspaper from Mr. Payne’s study.
Jo is overjoyed to see her column announced in the Focus and brings back the paper to Mrs. Payne. Mrs. Payne likes the progressive advice of the column and resolves to buy several copies of the Focus to discuss at a meeting of the Atlanta Belles, a women’s society.
Later, Jo rides Sweet Potato and dreams of the next columns she will write. Jo comes across Merritt and his new Arabian horse, Amir. Merritt complains to her that his fiancée, “Jane Bentley of Boston” (98), is boring. Though Merritt is harmless, Jo decides to stay away from him as she believes it was his interest in her that got her fired last time.
Jo waits for Caroline outside the cemetery. She overhears Mr. Q. assure Caroline he will be cancelling his engagement with Salt soon. Noemi gives Jo food for Old Gin, who is supposed to be working in the stable. Jo finds him practicing riding instead, which is surprising, given his bad back. Later, Noemi and Jo practice riding a bicycle that Mrs. Payne has lent Noemi. When they walk back, Caroline confronts the cook.
Caroline uses a racist slur against Noemi and yells at her mother for lending Noemi the bicycle. Mrs. Payne argues that Caroline had discarded the bicycle. Noemi offers to pay for the bike to avoid trouble, but when Caroline demands $100, Jo intervenes. They settle for $80, which is to be paid against Noemi’s salary.
Jo walks Noemi to her house and reprimands Noemi for spending so much money. Noemi tells her she wants to ride a bike because even though people of color can ride cycles, they don’t out of fear. She will borrow money from her “no-account brother” (115) who lives in the city.
Back in the basement, Jo discovers Old Gin has cut up a piece of scarlet silk that belonged to his late wife. Along with the silk, a box containing the stopper of a snuff bottle is Old Gin’s most prized possession. Jo fears Old Gin is using the silk to make her a wedding dress. She writes the next Miss Sweetie column on the subject of bicycles, suggesting all women ride bikes to save time and get exercise.
Later, she dresses in a large hat and a mysterious coat she found earlier in Old Gin’s closet so she can go out and drop the column in the Bell’s mailbox. She finds a letter in the pocket of the coat. It contains both English and Chinese characters, signed by someone called “e” (119) asking “Shang” (119) to forgive them. Jo wonders if the note has something to do with Billy Riggs.
Jo feels liberated in the coat she believes belonged to Shang since, assuming she is a man, no one catcalls her. Near the Bell mailbox, Bear lunges toward her again. She turns away from Nathan, accompanying Bear. Though Nathan cannot see her face, he suspects she is Miss Sweetie. He tells her they have been receiving responses to her advice column and brings her a bunch of letters. Jo assures him she will be writing the column regularly and, as Bear nears her affectionately, asks him by name to stay away. Nathan wonders how she knows Bear’s name and Jo fibs that she heard Nathan call him earlier.
The next morning, Jo goes shopping at Buxbaum’s convenience store, where Noemi’s husband Robby works. She spots Billy Riggs at the store.
Jo tries to ignore Riggs, but asks him to stay away when he uses a racist slur against her. Riggs tells her they should talk since she is the only one who can help “that old horseman” (130), referring to Old Gin. Robby tries to draw Riggs’s attention away from Jo, even though as a Black man, he is inviting trouble by confronting a white man.
Riggs tries to take the last bottle of Pendergrass’s Long-Life Elixir, a syrup Jo has bought for Old Gin. Jo refuses; Riggs creates a scene and leaves the store, asking Jo to meet him again for Old Gin’s sake. Robby tells Jo not to take the bait and to steer clear of Riggs. In the basement, she overhears Lizzie, her former colleague at the milliner’s shop, talking to Nathan.
Lizzie asks Nathan to the races, encouraged by Miss Sweetie’s advice to women to take the initiative. Nathan agrees. Jo is dismayed, which makes her suspect she has feelings for Nathan. She knows Nathan can never court her as interracial marriages are banned in Georgia. To make a point against unjust customs, she writes a Miss Sweetie column advocating giving up practices like women riding side-saddle or people of color not being hired as clerks and agents.
Disguised in the coat and hat, Jo meets Nathan once more at the mailbox. Nathan tells her the columns are brilliant and offers Jo pay, but Jo refuses, suggesting he donate the money to an orphanage instead. Jo and Nathan banter and, as Nathan hands her more letters from readers, Jo’s scarf slips. Nathan catches a glimpse of her face and Jo leaves hastily.
At the Payne House, Caroline resents her social engagements, which are all geared toward finding a husband. Mrs. Payne is in a fix because the Suffragettes wish to sponsor a horse for the races. If she accepts the offer, the Atlanta Belles— who stand for conservative values—will be upset. Caroline suggests Mrs. Payne reject the offer on the pretext that they were outbid, but Noemi thinks Mrs. Payne should be honest. Caroline is incensed that “the help” should offer opinions. Jo tells Mrs. Payne she should accept the bid of the Suffragettes to generate interest in the races, since “controversy boosts sales” (152).
On Jo’s and Old Gin’s way back home on a streetcar, an elderly Black maid called Mrs. Gray moves to the front to warm her hands by the coal heater. People in the front rows protest and she is forced to move back. Jo is angry at the discrimination. She learns Georgia has approved racial segregation on streetcars.
Jo asks Old Gin about Shang. Old Gin tells her Shang was a groom like him who left Atlanta after a Chinese fieldworker was hanged because he was thought to be the “rabid-eyes rapist” (158), an urban legend born out of racism. Shang borrowed money from Riggs. When Jo wants to know more, Old Gin forbids her to speak of the matter.
Next day at the Payne house, Noemi tells Jo that Blacks and other minorities should support the Suffragists since they are demanding women get the right to vote. The Suffragists say that the Fifteenth Amendment to the Constitution gives everyone the right to vote (See: Background), so supporting them can help not just Black women, but also Black men as well. She wants Jo to come with her to attend a meeting. Jo is skeptical, since she believes she has little in common with the middle-class white women who are the Suffragists. Nevertheless, she tells Noemi she will think about going.
Since the first set of chapters established the characters and milieu of the novel, this section speeds up the plot, with important events and discoveries. Billy Riggs, the novel’s antagonist, and its heroine Jo meet each other, kickstarting one of the main battles in the text. The letter to Shang is discovered, showing Jo that Old Gin has kept many secrets from her and echoing the theme of The Power of Secrets and Social Etiquette in the novel.
The discovery of the letter propels Jo to take actions that push the narrative forward, while also driving a temporary wedge between Joe and Old Gin. Though Jo loves Old Gin deeply, she tends to sometimes see him as a figurehead, as children often do their parents. That Old Gin may have a secret life away from her shakes Jo up. Another factor that clouds Jo’s faith in Old Gin is her fear of marriage. As a young woman in the 1890s, marriage is supposed to be her chief life-aim. Jo lives in constant worry that Old Gin will soon wake up to this fact and persuade her to wed. Since she is poor, she won’t have a great choice in suitors either. The notion of marriage-as-burden is important in the text, as it applies to young women as diverse as Jo and Caroline.
Miss Sweetie’s voice becomes stronger, signaling that Jo’s voicelessness is coming to an end in the battle between Being Heard Versus Being Invisible. Fittingly, Jo’s forced invisibility is also being compromised, with Bear recognizing her scent, and Nathan crossing paths with Miss Sweetie. This shows the text can no longer hold its secrets, and mysteries are soon to be solved. Jo’s decision to dress up in Shang’s suit to avoid being catcalled opens up a new angle about invisibility as well: Though Jo resents society rendering her invisible, disguise and invisibility can be liberating when she negotiates them on her own terms. Miss Sweetie is one such disguise, allowing Jo to express herself in the comfort of anonymity; men’s clothes are another. Shang’s suit offers her so much freedom, Jo swaggers down the sidewalk in it “wishing [she] had a cane to swing before [her] […] maybe, an eye patch, too” (121).
The desired cane and eyepatch are symbols of male freedom, offering commentary on the straitjacketed existence women lead in Jo’s times. Jo’s adoption of pseudonyms and disguises is a practical necessity because it saves her from lecherous attention and racism. It is also a callback to history, where women writers and other professionals often operated under male guises for better acceptance. For example, just two decades before the events of Stacey Lee’s novel, novelist Mary Ann Evans published Middlemarch (1871)—regarded as one of the greatest novels of the 19th century—under the male pseudonym, George Eliot.
While things are changing in Jo’s personal life, there are far-ranging changes in the novel’s political landscape as well, reflecting The Importance of Intersectionality for Political Change. Of course, the political is personal for people disadvantaged by society. The segregation of streetcars may not affect people like the Paynes, who are white and rich and do not need to take public transport, but it is devastating for Noemi and others like her. The streetcar segregation is an example of Jim Crow laws that states introduced to ensure racial segregation in the late-19th and early-20th centuries (See: Background). Though slavery had been abolished after the Civil War, and racial discrimination was condemned on paper, by the late 1880s many states in the South were enacting draconian racist laws.
Another important historical theme this section explores is the various women’s groups operating in Atlanta. This includes the Suffragists who are demanding the right to vote (suffrage) for women, and the conservative Atlanta Belles, who maintain social mores. Theoretically, all women’s groups should be aligned together and work for the welfare of all women, but the text shows this is often not the case. Patriarchy and racism work in insidious ways to divide women. While Noemi hopes the Suffragists will have room for all women, including Black women, Jo is more skeptical. She rightly guesses that “even if women are given the vote, Chinese will still get left behind” (162). Without an intersectional approach, the women’s movement cannot transform society.
Women like Mrs. Payne are caught between the Atlanta Belles and the Suffragists. As a wealthy southern woman of the upper class, Mrs. Payne has to uphold the social order and act like she’s the gatekeeper of morals, etiquette, and correct behavior. However, she is also shown as having certain progressive—if patronizing—values, such as when she says, “we have always valued our domestics’ opinions” (152, emphasis added). Mrs. Payne has to strike a balance between what is expected of her and what she truly desires. She does allow the Suffragists to put a bid in the race, but assigns them a horse which doesn’t have much prospect, which is Sweet Potato.
The legend of the “rabid-eyes rapist” is a nod at the exaggerated (and false) sexual threat non-white men supposedly represented to white womanhood, even though facts show women of color were far more endangered by white men. Rumors such as those of the rabid-eyes-rapist could—and did—cause innocent men to be killed in history. Mob lynchings of Black men for supposed sexual crimes were common between 1870 and 1950, without any proof or due process of law. In the context of Lee’s narrative, the legend of the rabid-eyes rapist turns out to be based on a wholly consensual love affair. As the plot will show, the Chinese man glimpsed with a white woman was none other than Jo’s father, Shang. Just finding a Chinese man with a white woman made people think the man was a rapist. The idea that a virtuous white woman could consensually engage with a man of a different race was unthinkable. After Shang fled, not only was a Chinese man mistaken for him and killed, but all Chinese men in Atlanta were considered a sexual threat for years afterward.
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