54 pages • 1 hour read
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Despite generating favorable initial reviews, it is unlikely that David Wroblewski’s first novel would ever have become a cultural phenomenon if not for its inclusion in Oprah Winfrey’s Book Club. With its commitment to promoting works of serious literary intent, its massive social media presence, and the celebrity clout of Oprah WInfrey herself, Oprah’s Book Club became a defining cultural context for novels that might otherwise have never found their way to a wide readership.
Initial sales of the novel were slow—the author was unknown, and the book, at nearly 600 pages, was intimidating. After Oprah Winfrey selected the novel as one of her book club reads, several leading forums, most notably The New York Times and USA Today, listed the book among its best books of the year. The novel was also shortlisted for the prestigious Art Seidenbaum Award, presented annually by the critics of the Los Angeles Times to an outstanding first novel. Part family tragedy, part coming of age story, part mystery thriller, and part paean to the intelligence and courage of canines, the novel became an international best seller. It was, in turn, optioned by Winfrey’s own film production company for development into a limited television series.
The Story of Edgar Sawtelle’s improbable journey to international best-seller shows the massive cultural impact Oprah’s Book Club had on literature, publishing, and book marketing. Wroblewski was an unknown. He toiled over the manuscript for nearly a decade, and at the time of its publication he was nearing 50. Sales were tepid at first—the book was long, and the several chapters told from a dog’s perspective seemed hokey to many readers.
Begun as a segment on Oprah Winfrey’s long-running daytime talk show, the Book Club’s mission is to introduce works of serious intent to a national audience of readers who might otherwise have never heard of the book or the novelist. Of the 70 book titles Oprah featured, 61 of them went on to make The New York Times best-seller list, and more than 20 of those titles made it to #1. The novels highlighted by the Book Club explore serious and often controversial topics and feature complex characters with contradictory motivations, which made for engaging discussions. In her review, Oprah praised Wroblewski’s book for its daring scope, its psychological insights into sibling rivalry, its lyrical prose style, and its joyful, unabashed celebration of dogs. Within weeks of the Book Club selection, the novel was #6 on the Times best-seller list.
The emotional and psychological evolution of the doomed Edgar draws on the boy’s love of Rudyard Kipling’s The Jungle Book, the 1894 short story collection focused on a boy raised by wolves. But The Story of Edgar Sawtelle itself is part of a surprisingly wide genre of novels, plays, and films that pay homage to Shakespeare’s Hamlet. These works take the elements of the tragedy—betrayal, greed, sibling rivalry, violence, revenge, and deceit, all enhanced by touches of the supernatural—and reinvent them by introducing strikingly different approaches. The story has been told from the perspectives of different characters from the play, as well as from the perspective of Hamlet himself at different ages. Writers have depicted contemporary versions of Hamlet, the brooding, melancholic young man desperate to determine whom he can trust while his family spirals into tragedy. Perhaps the most familiar of these is Disney’s The Lion King (1994), which reimagined the Prince of Denmark as an African lion cub.
Many plot points of Edgar Sawtelle match up with Shakespeare’s tragedy: the feud between the Sawtelle brothers; the murder of the kennel’s “king” Gar by the grasping and villainous brother; the hasty engagement of the widow and the villainous brother; and the young, confused son who is certain, after a communication from the ghost of his father, that he must expose the villainy of his uncle. The dog trick involving the syringe parallels Hamlet’s own play-within-a-play, as does Edgar’s accidental killing of the wizened Dr. Papineau (mirrored by the Polonius character in Hamlet). Edgar’s exile and his return to settle the score also echo Shakespeare’s play.
But several elements are vastly different from the Shakespeare template and give the novel its own thematic argument. Hamlet does not own any dogs; Hamlet, at 16, is older than Edgar and has a love interest, Ophelia; the Gertrude/Trudy character is not as developed or as tragic in Wroblewski’s novel; and Hamlet has no disability—that said, while Hamlet can physically speak, he often struggles to express himself. These elements gift The Story of Edgar Sawtelle with an ascendant heroism that Shakespeare’s dark tragedy lacks. Edgar is courageous beyond his years. His profound connection with the dogs gives his character a spiritual depth and invites sympathy.
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