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16 pages 32 minutes read

Video Blues

Fiction | Poem | Adult | Published in 1999

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Background

Literary Context: The Blues Tradition

From the title “Video Blues,” Salter clearly invokes the blues tradition, and an understanding of the blues tradition provides a deeper understanding of the poem itself. Beginning as a musical tradition, blues emerged after the Civil War as formerly enslaved African Americans migrated north. The roots of blues music can be found in a combination of field songs, church music, and elements of African rhythms. Rhyme, repetition, and rhythm are crucial elements of blues, as many songs were performed rhythmically while working. Thematically, blues songs are often about longing for home, longing for a loved one, hardship, and survival.

Blues became firmly entrenched as a formal poetic tradition in the United States during the Harlem Renaissance in the 1920s and 1930s, especially with the publication of Langston Hughes’s first book, The Weary Blues, in 1926. While there is much variation in blues poetry, certain defining characteristics emerged. Much like its musical roots, blues poetry typically addresses topics of love, struggle, and despair. It often adheres to a form of three-line stanzas “in which a statement is made in the first line, a variation is given in the second line, and an ironic alternative is declared in the third line” (“Blues Poem.” Poets.org, 2019). Rhyme, repetition, and rhythm are also hallmark characteristics, as well as “resilience in the face of hardship” (“Blues Poem”). Salter, being a poet drawn to formal constraints, utilizes several of these conventional blues elements in “Video Blues”: clear rhyme, repetition, and subject matter that, while presented in a humorous, sardonic tone, suggests a marriage struggling with more than just video rentals.

Within the context of A Kiss in Space, the collection in which “Video Blues” was published, the decision to include a blues poem is not surprising. The collection thematically focuses on the human search for knowledge and suggests that this journey moves society toward an uncertain future. The poem itself demonstrates this as the repetition keeps circling back to the problem at hand with no apparent resolution. Each stanza provides more knowledge, yet the future of the marriage remains uncertain. The formal elements of a blues poem provide Salter with a perfect vehicle for expressing a nuanced and emotionally complex moment of longing, intimacy, and resilience.

Sociohistorical Context: 20th-Century Media Consumption

The title “Video Blues” and the poem’s references to numerous movie stars signifies that Salter is an author interested in exploring the ways media consumption can impact personal relationships. The 1990s was a tumultuous time marked by the rise of the internet and the availability of cable television. During this time, the primary method of media consumption was moving away from newspapers toward television. Cable offered viewers an endless loop of news and entertainment tailored to fit their interests, and the content that had united viewers around the same program at the same time came to an end. Viewers had more power than ever to choose what kind of content they consumed, and these choices contributed to a feeling of isolation and divergence that continues into the 21st century.

It is quite telling, then, the choices of media that the husband in “Video Blues” makes. The poem references movie stars Myrna Loy, Carole Lombard, Paulette Goddard, and Jean Arthur as the objects of the husband’s crushes, all of whom were most popular in the 1940s and 1950s. Rather than having him partake in movies and media contemporary to the poem in 1999, Salter situates the husband as a man who looks backward with fondness, esteem, and romantic interest. The speaker of the poem comments that her husband can watch the movies whenever he wants, “as a treat” (Line 2). The husband’s ability to see his “crush” (Line 1) whenever he wants has created a problem for the speaker of the poem. Through the microcosm of this marriage, Salter is questioning the implications and potential complications arising from the abundance and consumption of media.

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